Middle Age: A Romance

Middle Age: A Romance

by Joyce Carol Oates
Middle Age: A Romance

Middle Age: A Romance

by Joyce Carol Oates

Paperback(Reprint)

$18.00 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

In Salthill-on-Hudson, a half-hour train ride from Manhattan, everyone is rich, beautiful, and — though they look much younger — middle-aged. But when Adam Berendt, a charismatic, mysterious sculptor, dies suddenly in a brash act of heroism, shock waves rock the town. But who was Adam Berendt? Was he in fact a hero, or someone more flawed and human?

Product Details

ISBN-13: 9780060934903
Publisher: HarperCollins
Publication date: 10/01/2002
Edition description: Reprint
Pages: 480
Product dimensions: 5.31(w) x 8.00(h) x 1.08(d)

About the Author

About The Author
Joyce Carol Oates is a recipient of the National Medal of Humanities, the National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, the National Book Award, and the 2019 Jerusalem Prize, and has been several times nominated for the Pulitzer Prize. She has written some of the most enduring fiction of our time, including the national bestsellers We Were the Mulvaneys; Blonde, which was nominated for the National Book Award; and the New York Times bestseller The Falls, which won the 2005 Prix Femina. She is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.

Hometown:

Princeton, New Jersey

Date of Birth:

June 16, 1938

Place of Birth:

Lockport, New York

Education:

B.A., Syracuse University, 1960; M.A., University of Wisconsin, 1961

Read an Excerpt

Survived By..

1

How Death enters your life. A telephone ringing.

And maybe you're still waiting for Adam Berendt to call. And maybe you're confused, your heart already pumping absurdly, when a stranger's voice utters the name Adam Berendt and you answer eagerly, hopefully.

"Yes? I'm Marina Troy. What -- what is it?"

That instant before fear strikes. Fear like a sliver of ice entering the heart.

2

Thwaite was the bearer of Adam Berendt's death. She would learn.

An ugly name, isn't it? Though the child's name, Samantha, is beautiful.

It was Thwaite that would stick in Marina's brain like a burr. Thwaite that became her obsession, she who would have defined herself as a woman free of obsession. A reasonable intelligent unemotional woman yet how Thwaite lodged in her brain as suffocation, choking, tar-tasting death. Thwaite Thwaite in her miserable sleep those nights following Adam's death. Sobbing aloud, furious: "If I'd been there with him on the boat, I wouldn't have let Adam die."

In the derangement of grief Marina Troy quickly came to believe this.

3

Local TV News! How Adam would have been embarrassed, if, just maybe, secretly proud.

Good Samaritan. Adam Berendt. Resident of Salthill-on-Hudson. July Fourth accident. Hudson River. Rescue of eight-year-old. Adam's face on the glassy screen: squinting his blind eye, smiling. That big head like something sculpted of coarse clay. A mere moment on the TV screen. Swift cut to the much younger Thwaites, parents of the rescued child. Thwaite. Harold and Janice. Jones Point residents. Devastated by. Tragic episode. So very sorry. So very grateful. Courageous man sacrificing his life for our daughter. Our Samantha. Our prayers will be with Adam Berendt. We are hoping to make contact with his family, his survivors. Oh, we hope ... Marina switched off the TV in disgust.

How could she bear it, the banality of Adam as a "Good Samaritan." The banality of the Thwaites' emotion, how disappointingly ordinary they were, and young, stammering into microphones thrust into their dazed faces.

"Well. I must learn to bear it. And more."

She was an adult woman, she knew of loss, death. She was not a naive, self-pitying person.

Her mother was chronically ill, and her father had died three years ago at the age of seventy-nine, so Marina knew, Marina knew what to expect from life, every chichŽ becomes painfully true in time, yet you survive until it's your turn: you don't become middle-aged without learning such primitive wisdom. Yet, when Marina's father had died, Marina had not been taken by surprise. That death had been not only expected, but "merciful." After cancer operations, and months of chemotherapy, the fading of Marina's father's life had been a slow fading of light into dusk and finally into dark. And there you are: death.

Not like Adam's death.

"Adam, God damn you. Why."

She was desperate to recall the last time they'd spoken. She shut her eyes, rubbing her eyes with the palms of her hands: Adam's face!

A doctor at the Jones Point Medical Center had prescribed a sedative for Marina Troy. (Did that mean she'd become hysterical? She'd lost all dignity, and collapsed?) Next morning staggering from her bed that was like a grave, at the top of her house on North Pearl Street. Her storybook house, as Adam had called it fondly. As Marina Troy was a storybook creature to be rescued. (By him?) In sweat-smelling nightclothes, a strap slipping off her shoulder, tugging at a window to raise it higher must breath! must breath! There was some fact that plagued her with its cruelty, its injustice: what? The last time we spoke, I didn't know. If I had known. The ceiling careened over her head with an air of drunken levity. Lilac fleur-de-lis wallpaper of subtly mocking prettiness. Thwaite mixed with the church bells. Thwaite Thwaite clamoring jeering in her head.

Marina's bedroom was a small charming room with small charming windows of aged glass, dating to the mid-1800s, windowpanes badly in need of caulking, overlooking St. Agnes Roman Catholic Church with its heraldic spire floating in the night sky, and its ancient bumpy churchyard. (In which Adam Berendt would certainly not be buried. Adam had been pagan, not Catholic; and Adam had wanted to be "burnt to a crisp" when he died.) North Pearl Street was one of Salthill's oldest streets, hilly and very narrow, and it dead-ended with three charming woodframe houses, one of which was Marina Troy's.

Somehow it had happened (when, exactly?) she'd become thirty-eight years old.

Young enough to be his daughter, Adam Berendt used to joke.

Don't be ridiculous! You're, what? -- fifty? Fifty-two?

Marina, to be perfectly frank, I've lost count.

She removed her sweat-soaked nylon nightgown and wadded it into a ball to toss onto the floor. She'd have liked to peel off her sticky itchy skin and do the same. In the silence following the church bells came the echo Thwaite! Thwaite. The sound of death, those hateful people, negligent parents, youngish, scared, reading off prepared statements to TV reporters, uncertain whether they should smile, or not smile, but one should always smile on TV, yes? -- if only fleetingly, sadly? In truth, Marina didn't detest these people. It was Thwaite that had insinuated itself into her head. Thwaite snarled like her long crimped dark-red hair, which by day she wore plaited and twined about her head ("like Elizabeth I") but by night it snagged and snarled, snaky tendrils trailing across her mouth. Thwaite a mass of such snarls no hairbrush could be dragged through. Thwaite that was the fairy-tale riddle: what is my name, my name is a secret, my name is your death, can you guess my name? Thwaite the helpless tenderness she'd long felt for Adam Berendt, who had been neither her husband nor her lover. Thwaite powerful as no other emotion Marina had ever felt for another person...

Table of Contents

Prologue: Fourth of July1
Part 1If You Catch Me ...
Survived by ...15
Old Mill Way: The Cave61
The Madonna of the Rocks102
The Game136
Farewell!180
Part 2... And I Don't Escape You
The Fell of Dark193
Old Mill Way: The Transformation238
The Girl in the Red Beret294
Deardeaddad343
The Missing395
Part 3Ever After
Dream Creatures431
Old Mill Way: The Attack439
The Ballet447
The Lovers, by Night454
The Homecoming457

Reading Group Guide

Is this fair? You leave your home in Salthill-on-Hudson on the muggy afternoon of July Fourth for a cookout (an invitation you didn't really want to accept, but somehow accepted) and return days later in a cheesy-looking funeral urn: bone chunks and chips and coarse gritty powder to be dumped out, scattered, and raked in the crumbly soil of your own garden.

Fertilizer for weeds.

-- From Middle Age: A Romance
Calling this darkly comic novel "a romance," Joyce Carol Oates kills off her hero on the first page, brings his spirit back to comment on his own death, and makes his memory a catalyst to change the lives of his Lexus-driving, privileged, and morally mixed-up friends.

Everyone in Salthill-on-Hudson, New York, is middle-aged. Characterized by failed marriages, shallow lives, and liberal causes, the affluent residents enjoy the iconoclast in their midst: sculptor Adam Berendt who disdains their wealth (but secretly has millions) and seduces their women (but beds none of them).

When Adam dies in an act of heroism -- or foolish recklessness, his death at first shocks his friends then provokes grief, anger, and baffling questions. Who was Adam Berendt? Where did he come from? What secrets did his past hide?

Owner of the town's bookstore, red-haired Marina doesn't know what to do with the legacy he leaves her. Roger, his best friend and lawyer, commits a crime on his behalf. Other friends wreck their marriages, try to recapture their youth, rescue stray dogs, run away from home, or find true love. And all of them are transformed in unexpected and sometimes hilarious ways.

Death,identity, and deception form the themes of this exquisitely crafted, modern-day morality tale, and so do love and friendship. But it will take until the closing chapters for readers to find out if good deeds lead to salvation or disaster, and if all roads lead back to Salthill-on-Hudson. Above all, in Middle Age: A Romance Joyce Carol Oates cuts through the fabric of America's materialistic facade to expose the heart inside . . . and the soul of a man aptly named Adam.

Questions for Discussion

  • Joyce Carol Oates gives readers some conundrums to puzzle out in this work. Why call the book Middle Age: A Romance? Why name the town "Salthill-on-Hudson"? Why kill off the hero on the Fourth of July? Why name him Adam? Why name his dog Apollo? Have some fun trying to figure out what the author had in mind with any of these elements or others you find on your own.

  • In an interview with Greg Johnson, her biographer, Joyce Carol Oates said, "All my longer novels are political, but not obtrusively so, I hope." Middle Age: A Romance would be considered one of her longer novels. Do you think it's "political"?

  • One interview question that gets a prickly response from Joyce Carol Oates is: "Why is your writing so violent?" She calls the question "insulting" and "always sexist." However, even in this romance, she includes a healthy dollop of violent, one might even say grisly, events. What are they? What do they add to the story? Why are they necessary?

  • Exploring who we are -- our identity -- is a recurring theme in the writing of Joyce Carol Oates. Adam Berendt reinvents himself. Why? Is reinventing ourselves a choice we can all make? Would you, given the chance, change your name? Abandon your past? Live a different life? Why or why not?

  • From the B&N Reads Blog

    Customer Reviews