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Read You Can't Get Lost In Cape Town (2000)

You Can't Get Lost in Cape Town (2000)

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Genre
Rating
3.58 of 5 Votes: 2
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ISBN
1558612440 (ISBN13: 9781558612440)
Language
English
Publisher
the feminist press at cuny

You Can't Get Lost In Cape Town (2000) - Plot & Excerpts

You Can't Get Lost in Cape Town is a book perhaps best described with the language of food: flavorful, tangy, earthy, a mix of style and story that chronicles emotions both universal and yet particular to the South Africa Wicomb writes about. Afrikaans words are mixed in with almost 19th-century British turns of phrase, and the combination makes for some complex, unusual, and beautiful passages. Wicomb has a knack for sketching the geography of a place in few words, making her scenes vivid even when they're heartbreaking, as when the reader realizes that the train "platform" the narrator is standing on -- in contrast to the platform for whites -- is really nothing more than a strip of dust alongside the tracks. The book looks at the racial tensions of South Africa almost sideways, not quite straight on, and it's this subtlety that makes the impact all the more startling as the reader slowly unravels the implications of each scene. It's a quick read, but not straightforward in narration. Ruminate on this, Wicomb seems to say. Chew it over, think on it; how does Cape Town make you feel, reader?

Wicomb is a South African writer whose title story describes a young woman‘s journey to meet her white boyfriend to get an abortion. Her disorientation contrasts with his admonishment, “You can’t get lost in Capetown” suggesting the differences in their experiences of race, class, and gender in the apartheid-era South Africa. In reading the title story, I particularly enjoyed Wicomb’s ability to mingle the physicality of the situation with the disorientation the protagonist feels. I was even more impressed, however, when I read the rest of the collection. The short story is midway through a series of sketches of the protagonist’s life. Each sketch has a unique tone linked to the age of the character and the situation she’s in.

What do You think about You Can't Get Lost In Cape Town (2000)?

The afterward to this book makes the point that fiction from the Global South is too often read *only* as a political/anti-colonial statement, rather than fiction in its own right. I agree, though I think in practice it's impossible to separate a work entirely from the context in which it was produced. You Can't Get Lost in Cape Town is a great read first--an engaging collection of stories. It's also an important political statement, and from what I understand Wicomb's work is deliberately political.
—Madeleine

Poetic - and yet not my cup of tea at all,, 29 January 2015This review is from: YOU CAN'T GET LOST IN CAPETOWN (Paperback)Published in 1987, this is a series of ten vignettes of life in S Africa. All ten are narrated by the same character, Frieda Shenton, a 'respectable Coloured', and are little chronological glimpses into her life in the apartheid state.I found it difficult to review this book: Ms Wicomb's writing is poetic with threads of deeper meaning, and yet I didn't find it at all interesting. I use the word 'vignettes' rather than 'stories' as many of them didn't seem to be the latter.Ten out of ten for creative writing, but I was glad to get to the end!
—Sally Tarbox

This is a dark & depressing story about a young girl born into & growing up in apartheid South Africa. There is much despair and dysfunction about her life that is told with immense bitterness and an odd determination to seek out her misery in everything that involves and affects her. She is fortunate have a university education where she can break the mould of a young coloured girl growing up in the 60s in South Africa and emigrate to a more 'unfettered' existence in the UK. When she returns after more than a decade, her relationship with her mother is still bitter.The story is a little confusing to read because the language vacillates between South African slang and very good vocabulary. It could be quite frustrating for readers without knowledge of South African slang. Also, until I read about the mother in the latter years, I thought she was dead because there was no reference to her in the earlier years!This book is in the same depressing category as 'Disgrace' by JM Coetzee.
—Jenny Newman

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