The office was essentially three rooms: a reception area with a secretary’s desk, a middle room where there was a clerk’s desk and two walls of file cabinets, and then the third and largest room, Elias’s office.As Bosch and Chastain moved through the offices the others stood silently and didn’t look at them. It was clear that they had heard the commotion in the lobby as they had taken the elevator up. Bosch didn’t care about that. He had already put the confrontation with Chastain behind him and was thinking about the search. He was hoping something would be found in the office that would give the investigation a focus, a specific path to follow. He walked through the three rooms making general observations. In the last room he noticed that through the windows behind Elias’s large polished wood desk he could see the huge face of Anthony Quinn. It was part of a mural depicting the actor with arms outstretched on the brick wall of a building across the street from the Bradbury.Rider came into the office behind him.
