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Read Songs Without Words (2007)

Songs Without Words (2007)

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Rating
2.99 of 5 Votes: 1
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ISBN
0375412816 (ISBN13: 9780375412813)
Language
English
Publisher
knopf

Songs Without Words (2007) - Plot & Excerpts

Read this book if you are interested in yet another detailed depiction of the lives of quiet desperation playing out in American suburbs. Ann Packer was hailed as a gifted chronicler of the interior lives of women after her debut novel, The Dive From Clausen’s Pier (2002). In it, a young woman wrestles with feelings of guilt after her fiance, for whom she has lost any passion after an eight-and-a -half year courtship, becomes a quadriplegic when he breaks his neck in a diving accident.Her second novel, Songs Without Words, has a somewhat less arresting premise, though it still involves life-changing bodily harm. Liz and Sarabeth have been best friends ever since the latter's mother committed while they were in high school. Now in their 40s, they find their relationship shaken to its core after Liz's 15-year-old daughter, Lauren, attempts suicide.In a nutshell: Sarabeth feels awkward as she's not used to having to provide emotional support.Meanwhile, Liz is hurt, then fed up, that Sarabeth still seems to want to be mollycoddled when Liz obviously has greater worries on her mind.Packer takes pains to establish her character's personalities, the better for us to understand their psychological motivations. The problem is that these personalities are not very interesting.Liz is a happy housewife devoted to her children and yoga, while her husband Brody plugs away at a technology firm and plays tennis to relieve stress. Lauren is a shy, artistic type shunned by the cool girls in school, while her younger brother Joe is a strong, silent soccer player. Lastly, Sarabeth is the wild child, making lampshades and falling for married men when she isn't sitting in her bohemian shack stressing out about her life's lack of direction.Packer painstaking drags us through the minutiae of her characters' lives in an attempt to expose the cracks running just below the surface. Thus, she spends two and a half pages during describes how various family members prepare and eat their breakfast. Who knows, perhaps there are life-changing ephiphaies to be found in the quotidian -- if you aren't bored to death first by endless descriptions of toast and juice.And ironically for a writer whose book hinges on characters rather than plot, her characters are not believable, let alone sympathetic. Packer's prose, though elegant, lacks any turns of phrase or imagery that might move the reader.Take Lauren, whose suicidal thoughts are linked to her unrequited infatuation for some conventionally good-looking hunk at school. In perhaps an attempt to convey teenage angst, Packer chooses to convey Lauren's deep despair with sentences plucked from a high school girl's poetry: "Her stupid blue dress from last year brushed her shoulder. Life was endless, endless."But at least Lauren is spared the cheesiness bestowed upon her middle-aged parents: "He squeezed his eyes shut. They were glazed when he opened them again. Speaking very slowly, as if each word were a seperate effort, he said, "You...can...be with me.""In her haste to explore the complexities of human interaction, Packer seems to have forgotten that humans are what make make the interactions interesting. If this book were a song without words, it would be a one melancholic, hackneyed and ultimately forgettable tune.

This gets a four star rating because the story engaged me. That said, I was somewhat disappointed. After reading Packer's The Dive From Clausen's Pier I had high expectations and dove eagerly into her latest work. However, the story is not well written. Some of her phrasing, although grammatically correct is so awkward I had to reread certain sentences multiple times in order to extract the meaning. Far more perplexing is the "voice" element. Packer writes the novel in third person, alternating her focus on four of the novel's main characters. The reader hears the thoughts and feelings of these characters in what I call "second person" manner; you know where it is written in third person but seems like first? I got the distinct impression she really only "knew" two of the characters and therefore the other two did not ring true. Even those two were not entirely authentic, as though she spread herself too thin. Granted their "voices" did become clearer as the novel progressed but by that point I already had developed some disdain for her main players. The fact of the matter is that I simply didn't really like any of them. I spent a good deal of time shouting at the characters for the decisions they made. Ironically, the one character I did have an affinity for was not given a voice save for a short passage in the last ten pages of the book. Additionally, at times Packer drifts into flowery, poetic prose, that intentionally symbolic stuff, that did not fit with the storyline. So, after all my fussing why the four stars? Like, I said, the story engaged me and I did want to know what was going to happen, I could relate to the way friends can drift apart by forgoing contact, and, the truest test of all, I was not quite ready to leave their world at the end of the novel.

What do You think about Songs Without Words (2007)?

Synopsis of the book: "Sarabeth and Liz grew up across the street from each other, their girlhood friendship deepened by the tragedy of Sarabeth's mother's suicide when the girls were in high school. Packer offers their history in a brief prologue, and the first chapter of the novel finds Liz married with two teenaged children and contentedly immersed in her roles as wife and mother. Sarabeth, on the other hand, is still single, uncertain about her life and pursuing a career as a house stager, someone who creates the ambiance of cozy domesticity in homes people are trying to sell, a job that seems like a painful destiny for someone whose own childhood was interrupted by domestic tragedy. Of the two, Liz appears to have it all, but when her 15-year-old daughter, Lauren falls into the grip of adolescent depression, Liz's world falls apart. And so does Sarabeth's; Lauren's unhappiness brings Sarabeth dangerously near to the memory of her own mother, and her retreat from Liz is both cowardly and understandable." I did not enjoy this book as much as I thought that I would. I was, like many other reviewers, waiting to see the solid relationship between these two women evolve. I found the book tedious to read truthfully. We were never told the true reason behind Lauren's depression. In fact, I felt that Sarabeth's own depression was highlighted much more so than Lauren's. She was constantly making wrong turns in her life and her own depression, while understandable, was never dealt with. I expected some real turning points in this novel that just never took place.
—Diane

I met Ann Packer at Books, Inc., Palo Alto, in late November for Small Business Day. Each of the local bookstores had authors coming during the day to help customers choose books. I didn't know that Ann was going to be there in the early afternoon, but I'm glad she was. She's written 2 novels and 2 books of novellas/short stories. Since I'm a novel (double meaning?) kind of guy, we talked about which of her 2 I should read. We picked one, she signed it, and I read it. It's Songs without Words, and it's darn good. Here's the rundown from the back of the book:"Liz and Sarabeth were girlhood neighbors in the suburbs of northern California, brought as close as sisters by the suicide of Sarabeth's mother. In the decades that followed, their relationship remained a source of continuity and strength. But when Liz's adolescent daughter enters dangerous waters, the women's friendship takes a devastating turn, forcing Liz and Sarabeth to question their most deeply held beliefs about their connection."As many of you know, I'm a big fan of a genre that goes by many names - women's fiction, chick lit, literary fiction, among others. Bottom line is that I like books written by women about women. Does that mean I lose my man card? Some (maybe many!) would say that it's too late. That I lost it long ago. Well, gosh darn it, so be it.Several elements of Songs without Words resonated with me immediately.1. Ann does a great job of setting up the story in her prologue.2. The story grabs you immediately.3. You learn on page 3 that Sarabeth's mother committed suicide. This is like C. Lee McKenzie's The Princess of Las Pulgas (our RBC author/book for March) when we find out on page 2 that Carlie's dad died.4. Ann's writing reminds me a little of Meg Waite Clayton's writing. That's obviously a good thing.And then there were other parts of the book that I liked:1. The story takes place in the Bay Area. El Cerrito is mentioned. That is right next to Albany, where I grew up. And Montclair in Oakland is also mentioned. I moved from Albany to Oakland and spent lots of time in Montclair. Recognizable geography is always fun.2. The book is told from the point of view of 4 people - Liz and Sarabeth, of course, along with Liz's daughter, Lauren (my younger daughter's name!), and Brody, Liz's husband. And here's the thing - I absolutely cared about all of them.3. Sarabeth goes to a movie theater called the Albany Twin. This is where I saw my 1st movie with friends. I was probably around 13.4. The word perspicacious is used to describe Sarabeth. I specifically remember my father using that word with me when I was young. He never substituted a small word when the bigger word was what he wanted to use.5. Jim, Sarabeth's friend, comes to pick her up. She gets in the car, and he waits until she is buckled in before he drives away. I do that. I know sometimes it's a little annoying to family and friends. But I can't help myself.I enjoyed Songs without Words and, just like with Linda Gunther's Endangered Witness, I intend to read Ann Packer's other novel, The Dive from Clausen's Pier. Ann, can I get you to sign it for me?
—Lloyd Russell

It all boils down to this: This book is dullllllllll. I feel like I just absolutely wasted several hours of my life. Honestly, I kept thinking something was going to happen to make it all worth my time, but no...it's just dull. The whole story revolves around the friendship of Sarabeth and Liz, who have been friends since childhood and who were brought even closer when Sarabeth's mother committed suicide. For most of the book, the two friends are grown women, and their friendship is tested (although honestly, I don't understand why -- it wasn't satisfying at all) when Liz's daughter creates a family crisis. I just didn't get it. I didn't feel invested in the characters, I didn't understand why Ann Packer thought this idea was worthy of 322 pages, and even though I usually find gratuitous plot twists to be annoying, I think this book sorely needed one. Hey Ann, borrow a plot twist from Jodi Picoult. She's drowning in them.
—Kendra

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