A soul that may be made most visible by a Steinway or a Stradivari, or may be most well expressed by a Bach or a Mozart, but that is always there, in every thing of substance. Of course, I am not a musician. I sell antiques, but the same knowledge applies. You sit all day in a shop, with the old clocks and the tables and the chairs, the plates and the bureaus, and you feel just like them. Just another object that has lived through events it could not change, crafted and transformed, forced to sit and wait in a kind of limbo, its fate as unknown as all the others'. A customer came in one afternoon – a bullish man of the Yorkshire mould. The sort of chap within whom arrogance and ignorance compete for top billing. He grumbled his way around from price tag to price tag, telling Cynthia and myself that he'd be very surprised if we'd get this much for an art nouveau figurine, or that much for a reading table. 'Oh,' said Cynthia. 'But it's rosewood.' 'Makes no difference,' the man said. 'And it's early Georgian.' 'Early Mesopotamian wouldn't justify that price.' By that point, I'd had enough.
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