His mother lived in a small house on the seashore by the Pontevedera inlet, in the fishing village of Bueu, which was also his place of birth. He didn’t have any known siblings or a known father. According to the security guards at the entrance to Toralla Island, he was a quiet man, even if he lived mostly by night. He played the sax with his band four days a week at the Grial, a bar on the edge of the city’s old quarter. There were three members in the band, including Reigosa himself. The other two were the Irish bass player Arthur O’Neal and the pianist Iria Ledo. Reigosa had also taught as a supply teacher at the municipal conservatory of Vigo. It was a beautiful day, bright and clear, without a cloud in the sky, and Rafael Estévez drove in silence. Leo Caldas spent the drive examining a report drawn up by Officer Ferro from forensics. Its many stapled sheets recorded some preliminary considerations, impressions put forward by a few neighbours, the caretaker of the building, María de Castro, and the security guard who was on duty on the night of the crime.
