Continuing along her way, Blanche passed in front of Charles’s residence and then Anthime’s, now equally deserted. Charles’s house: beyond an ornate front gate concealing a garden one felt was flourishing, with well-tended flowers and lawns, a path led to a flagstone terrace set off by pillars flanking a double front door of polychrome stained glass, enthroned atop three steps. From the street, one could just make out at some distance the yellow and blue granite facade: tall, narrow, and, like its owner, tightly shut up. Three stories, with a balcony on the second floor. Anthime’s: this was a single-story house set closer to the street, with a roughcast facade, lower and more compact, as if a residence, like a dog, absolutely had to be homothetic to its master. Less well hidden by a front gate—ajar—made of ill-joined planks covered with flaking white paint, the property was a smaller and poorly defined zone of weeds bordered by some attempts at vegetable gardening. To enter Anthime’s home one had next to cross a cracked slab of concrete ornamented solely by some very distinct and canine paw prints—from an animal therefore probably none too light on its feet—left in the fresh cement on the distant day it was poured.
