Tristan Tzara, “Note on Poetry (1919),” Seven Dada Manifestos and Lampisteries For close to eighty minutes, Trout Mask Replica unleashes a cascade of atonal sounds that never relent. If the record itself provides both contrast and texture within that dissonance, the force and originality of those arrangements can leave you breathless, guessing as to how, even why, Captain Beefheart & the Magic Band arrived there. Usually, at the core of pop music is a quest for a sound which touches a nerve, something that strikes a pleasurable chord in the listener. The best pop tends to unify the incompatible world around it—even answer a subliminal calling. When Elvis cut loose in the 50s, he shook up a generation clearly ready to be shook—he uncorked a bottle filled with a frustrated generation’s desire to stand apart from the herd. Elvis not only transcended what came before him, he validated everything good to come later. In general, pop music is about the celebration and sharing of good times.
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