—Algernon Swinburne, “Dolores” A THIRD OF A mile north of Tudor House stood Pelham Crescent, a semicircular row of splendid white houses designed thirty years earlier by Elias Basevi, who had also been the architect of Belgrave Square. Separated from one another by iron railings like rows of upright black spears, each house’s doorway was up three steps from the pavement and framed by square pillars that supported a first-floor balcony. The gentlemen who entered or alighted from glossy carriages at the curb wore tall silk hats or the newer round creations of William Bowler, and their starched linen collars and cuffs were bright spots against well-tailored black overcoats. From Number 7 on this February evening, though, emerged a contrary figure in a brown sack coat with an open-collared shirt and no hat; his white beard was untrimmed and his glance up and down the street was arrogant. Edward Trelawny waved his cane, and a hansom cab obediently slanted in to a rocking halt in front of him.
