Nothing could be seen in the poor light streaming through the narrow window except the glint of the brass bodkin which the figure was pressing into a small, waxen image. The image had been carefully made: only the purest beeswax had been used, culled from candles which stood on the altars of churches or in the silver and gold candle-brackets of the very wealthy. As an object of hate, the waxen image had been fashioned most lovingly. Only six inches high; its creator had used the skill of a carver to fashion the rounded face, the long legs and arms and the jutting firm tits. A piece of dyed orange wool had been pinned to the head, and red crepe had been tied round the middle so it looked as if the image was wearing a voluminous skirt. Sightless eyes, two small buttons, stared back at its maker who looked at it, chuckled and stuck the bodkin once more into the soft white body. The figure plucked out the bodkin then carefully slashed the waxen image’s neck. In her small chamber above a draper’s shop in Cock Lane, Agnes Redheard was terrified.
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