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Read Memoirs Of A Geisha (2005)

Memoirs of a Geisha (2005)

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Rating
4.05 of 5 Votes: 1
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ISBN
0739326228 (ISBN13: 9780739326220)
Language
English
Publisher
random house large print

Memoirs Of A Geisha (2005) - Plot & Excerpts

Memoirs of a Geisha is an American novel, and as such the attempt at West does East, especially on the complex and delicate subject of the geisha, is compelling, interesting, but also heavy-handed and ultimately ineffective (even more so in the case of the film). It is a wonderful introduction to geisha, Japanese culture, and the East for the uninitiated Western reader, and I can see why the book is popular, but I found it disappointing. For the reader already familiar with the culture, western influences are all too clear and the book comes off as a bit clunky and imperfect. I also had some problems with the general perception of the characters by readers versus the way the characters were actually portrayed in the book--Memoirs is far from the good-willed fairy tale that people assume it is. By all means, read it, but leave it open for critique and remember that a more authentic representation of eastern culture, especially in the details, will come from the east itself.A lot of my critique stems from the fact that this movie has attained such wide-spread fame and been made into a movie, to be sure. I feel like it is being perpetuated as something it is not. Even the introduction to the book (a faux translator's note) perpetuates the myth that Memoirs is an accurate, beautiful, in-depth reflection of the life of a geisha, when in truth it is no more that historical fiction and is written by an outsider. Golden has done his research and is well-educated on his subjects, and I have no problem with people reading from, taking interest in, and even learning from this book; I do, however, think it is important that readers don't conflate the American novel with Japanese reality. They aren't the same thing, no matter how much research Golden did, and if we take the book as an accurate representation we're actually underestimating and undervaluing geisha, Japan, and Japanese culture.Because Golden attempts to write from within the geisha culture, as a Japanese woman, he must do more than report the "facts" of that life--he must also pretend to be a part of it. Pretend he does, acting out a role as if he has studied inflection, script, and motivation. He certainly knows what makes writing "Japanese" but his attempt to mimic it is not entirely successful. The emphasis on elements, the independent sentences, the visual details are too prevalent and too obvious, as if Golden is trying to call our attention to them and thus to the Japanese style of the text. He does manage to draw attention, but to me, at least, what I came away with was the sense that Golden was an American trying really hard to sound Japanese--that is, the effect betrayed the attempt and the obvious attempt ruined the sincerity of the novel, for me. I felt like I was being smacked over the head with beauty! wood! water! kimono! haiku! and I felt insulted and disappointed.The problems that I saw in the text were certainly secondary to the purpose of the text: to entertain, to introduce Western readers to Japanese culture, and to sell books (and eventually a film). They may not be obvious to all readers and they aren't so sever that the book isn't worth reading. I just think readers need to keep in mind that what Golden writes is fiction. Historical fiction, yes, but still fiction, therefore we should look for a true representation of Japanese culture within Japanese culture itself and take Memoirs with a grain of salt.I also had problems with the rushed end of the book, the belief that Sayuri is a honest, good, modest, generous person when she really acts for herself and at harm to others throughout much of the book, the perpetuation of Hatsumomo as unjustified and cruel when she has all the reason in the world, and in general the public belief that Memoirs is some sort of fairy tale when in fact it is heavy-handed, biased, and takes a biased or unrelatistic view toward situations, characters, and love. However, all of those complains are secondary, in my view, to the major complain above, and should be come obvious to the reader.Memoirs goes quickly, is compelling, and makes a good read, and I don't want to sound too unreasonably harsh on it. However, I believe the book has a lot of faults that aren't widely acknowledged and I think we as readers need to keep them in mind. This is an imperfect Western book, and while it may be a fun or good book it is not Japanese, authentic, or entirely well done.

Memoirs of a Geisha by Arthur Golden was phenomenal. One of my book clubs picked it this month and I just saw the selection and realized I owned it and it was already on my list but didn't think I'd have time to read it in the next two weeks. But just for the heck of it, I picked it up and decided to just read the first chapter to see how I liked it. It took me less than three days to finish it. I absolutely loved this book. It was well written and gave an eloquent and sometime graphic portrayal of the lifestyle of a geisha. It was fascinating to learn about the culture through the eyes of this young girl. The way Golden describes the Japanese world is easy to picture and completely draws you in. You find yourself rooting for this girl as her life hits one roadblock after another. His beautiful descriptions of the setting and clothes is enough of a reason to read this book, but it offers so much more as well. I do think this is classic material. Although published not too long ago I think it has the potential to be around for awhile, therefore falling under the longevity category. I also think it's an original concept. Many books touch upon the culture and classes of the Japanese, but I'm unaware of one that writes about the taboo intimacies of a geisha. If there are, I'd have to read them, but I think this book is original enough to be the leader of that group. I also think it has the magic factor. The descriptions of the era, the dress, and especially the differences in facial features of the characters pull you into the story effortlessly. I highly recommend it and believe it's a classic, if not now, then one in the making. As for the movie, I have mixed opinions. When I first saw it years ago before reading the book, I thought it was lovely and moving. Since I just finished the book I decided to watch it again. Once again, I feel like a movie pales in comparison to the book, lacking in definition and finesse. Yes, it's good for what it is, and the actors they choose to play the parts did exceedingly well, but I found myself dictating constantly to my husband who was watching with me, parts that were never explained. Things like why they spark a flint at a geisha's back before they leave the okiya or why the girls had they hands frozen numb while they practiced the shamisen. To me this was imperative in experiencing the richness that all the culture had to offer. But alas, it's the downfall of a movie representing a book. They can't put everything in so you just have to enjoy it for what it is. That being the case, it was an adequate representation of the book, with talented actors playing the parts well. ClassicsDefined.com

What do You think about Memoirs Of A Geisha (2005)?

A beautiful story that explores the secret world of the Japanese geisha (if you think that geisha = prostitue, you need to read this book just to learn how wrong that assumption is), told in the style of an interview with a woman named Sayuri Nitta, who used to be one of the most famous geisha in Kyoto. My favorite parts of the story were the detailed descriptions of geisha beauty rituals (they wax their hair and sleep with their necks resting on wooden blocks so they don't mess up the hairstyles) and tradtions (when a geisha leaves her okiya, or geisha house, a spark is struck against her back for good luck). The descriptions of the kimono worn by Sayuri and the other geisha in the book are also gorgeous. The only part of this book that I didn't love was Sayuri's constant adoration of a man know only as the Chairman. Sayuri meets him when she's eight, and because he's kind to her and buys her a flavored ice, she decides that she's going to become a geisha just so she can meet him again. Did I mention that the chairman was about forty at the time? I didn't have a lot of faith in the level of Sayuri's love for him, and just couldn't wrap my head around the idea of an eight-year-old girl falling in love with a man more than thirty years her senior. UPDATE: So, I wrote this review when I was in high school and didn't know much about the actual writing process of this book. Turns out Arthur Golden didn't actually do that much real research and had a bad habit of just making shit up. This book apparently pissed off a real geisha so much that she wrote her own book in response. I'm writing this update now because today in my literature class we were talking about how we all basically read only British and American books, and this one girl starts talking about how she used to only read American books and then one day read Memoirs of a Geisha and it just, like, totally opened her eyes to other cultures. And everyone is looking at her like she just said that watching The Godfather helped her understand Italian history. So basically what I'm saying is, don't come to this story looking for historical accuracy. It's still a good story, just not necessarily an accurate one. Think of it as fiction, and you'll be fine.
—Madeline

I got tricked into thinking this actually was Chiyo's biography. I read the preface by the imaginary professor matter of factly, not giving much thought to it. Of course the idea of reading an autobiography sparked my excitement. I liked the prose, the part of the book in which Chiyo was not yet abducted stood out and "felt" Japanese. What quickly brought me back on the right track again, was the formulaic style. Chiyo's life consisted of a little too many Cinderella ingredients to not make me doubt her existence.For example, her brief encounter as a child with the (view spoiler)[ Chairman and the way this affected her for the rest of her life didn't seem very likable, and appeared purely added for romantic 'it's fate' impact. Then there was Hatsumoto's limitless - evil stepmother! - hatred for what was in the beginning hardly more than a poor little girl from the countryside. (hide spoiler)]
—Loederkoningin

So.. Memoirs of a Geisha. I'd been wanting to read that one for a very long time. I had heard so many good things about it. It's supposed to be awesome, and deep, and beautiful, right? Wrong. It's not. The writing was what bothered me the most. It's pretentious and superficial, and sloooooww and it goes on and on and on and on and on and still, very little happens. In some sort of weird combination, the writing is both superficial and cliché. It feels like Golden thought it would be a good idea to emphasize all the Japan-and-nature clichés to the point of ridiculousness : I still can't believe how many times he compares something to the nature. Ironically, it doesn't feel natural at all. It feels forced and weird and and it's very annoying, as it slows down the pacing (which is already very slow) and frequently interrupts the narrator's flow of thoughts. Examples? Yes, yes. Because I was so sick and tired of reading for the 40th time how something is LIKE a bird or a snake or whatever, I made a list. Enjoy, people. This is how Sayuri narrates the story. Please notice and enjoy how natural this way of thinking sounds : "I felt as a dam must feel when it's holding back an entire river.""I felt as sore as a rock must feel when the waterfall has pounded on it all day long.""My poor scalp felt the way clay must feel after the potter has scored it with a sharp stick."And it goes on : "Like water bugs kicking along the surface.""Like the crisp skin of a grilled fish.""Like a scrap of paper in the wind.""Like ruts in the bark of a tree."And on : "Like a pig trying to survive in a slaughterhouse.""Like a stray cat on the street without a master to feed it.""My mind on the eve of my debut was like a garden in which the flowers have only begun to poke their faces up through the soil.""It was like when a caterpillar turns into a butterfly.""Out of my element as a pigeon in a nest of falcons.""Felt as a simple smelt must feel when a silver salmon glides by."Still not enough? I was hoping you'd say that. Here you go!(view spoiler)[ : "Like what a workman does to a field using a hoe felt the way clay must feel after the potter has scored it with a sharp stick.""I felt as the waves of the ocean must feel when clouds have blocked the warmth of the sun.""As if he were the wind that blew and I were just a cloud carried upon it.""Like a tree and its roots, or like a shrine and the gate that stands before it.""With as much difficulty as a hungry child turns away from a plate of food.""I felt like a slab of tuna the grocer had just delivered.""I was like a temple bell that resonates long after it has been struck.""I tried to imagine I was simply a house standing in the rain with the water washing down the front of me.""Like when a stone is dropped into a pond, the water continues quivering even after the stone has sunk to the bottom.""Like the tree where the tiger might sharpen its claws.""Like a fish belly-up on the stream.""A tree may look as beautiful as ever; but when you notice the insects infesting it, and the tips of the branches that are brown from disease, even the trunk seems to lose some of its magnificence.""As much a part of her as a song is part of a bird.""Was as simple as a stone falling toward the ground.""If you no longer have leaves, or bark, or roots, can you go on calling yourself a tree?""Felt toward him just as an ice pick feels toward a block of ice.""The two of them weren't "spending time together" any more than a squirrel is spending time with the insects that live in the same tree.""Like the fisherman who hour after hour scoops out fish with his net.""Like a mouse expecting sympathy from the snake.""Like rice pouring from a torn sack.""Expanding just like a river whose waters have begun to swell.""I was like a child tiptoeing along a precipice overlooking the sea. And yet somehow I hadn't imagined a great wave might come and strike me there, and wash everything away.""Like a snake that had spotted a mouse.""Your eyes hang all over him like fur on a dog.""I began to feel like a tree whose roots had at last broken into the rich, wet soil deep beneath the surface.""Just as naturally as the leaves fall from the trees.""Just as a stone must fall toward the earth.""It was all like a stream that falls over rocky cliffs before it can reach the ocean.""No more permanent than a wave rising on the ocean.""Just like watery ink on paper." (hide spoiler)]
—Sophia.

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