Standing in the lee of a sturdy pine, she scanned the woods around her with a photographer’s sharp eye. She wasn’t looking for a subject for her old, beloved Canon 35 mm, though. The camera was stowed safely in her backpack for the hike home. No, she was looking for a target for the Remington double-aught shotgun she held across her body. “There’s nobody there,” she told herself, willing it to be true. But the woods were quieter than she liked, and the day was rapidly dimming toward the too-early springtime dusk. With her curvy figure swathed in lined pants, a flannel shirt, a wool sweater and a down parka, and her dark curls tucked under a thick knit cap, she’d be warm enough if she stayed put. But her hurry to get home wasn’t about the warmth. It was about the cabin’s thick walls and sturdy locks, the line of electric fencing near the trees, and the motion-sensitive lights and alarms that formed a protective perimeter around the clear-cut yard.