As she steered the car into the highway, the note signed by Lemuel Sammis was beneath her dress, pinned to her underwear. She couldn’t put it in her handbag because she had none, and didn’t want to trust it to the dashboard compartment because she would be getting out of the car at the cemetery and there was no way of locking it. It was beginning to cool off as the sun prepared to call it a day and take to the hills. The question, now what, as regarded her ultimate design, was still waiting for an answer, and it was for that, half consciously, that she was going to the cemetery. She drove some twenty minutes and, a mile or so before she reached Cody, turned into a side road and skirted the city. When she arrived at the cemetery entrance she left the car there and entered on foot, since the gate for vehicles would be locked by the caretaker at sundown. Two cars that had been inside were leaving, and there was no one around. Her father’s and mother’s graves, with modest headstones, were side by side, and the plot was neat and creditable, with grass and flowers and four little evergreen shrubs.
