Filing into the theater, they found seats near the front. The film was incredible. The shots of birds in migration and the sense of flight combined to leave viewers breathless. Chuck Knapp stood to one side of the screen and talked into a microphone, a black silhouette against his movie. Occasionally he commented on how he’d gotten this or that shot or dropped a nugget of interest about wildlife photography in general. At the end, when the lights came up, he offered to take questions.Hands shot up throughout the theater.“Do you shoot your films using digital?” a woman near the front asked.Knapp swept his hair back from his face. “No, I only use digital for still photographs. For my movies, I prefer shooting with old-fashioned film. There is a quality to film that you don’t get with video—a richness in color, a depth, a dimension. Plus, what you shoot is real. It’s very easy to manipulate digital images.”“Rumor has it you and Becker found something unusual in the swamp.
What do You think about Sacrifice Of Buntings (2014)?
