Able storytelling and an engaging cast of dysfunctional modern American pilgrims animate this winning tale of the road. When tipsy, 23-year-old Maurey Pierce Talbot accidentally drives through her Wyoming town with her baby on the roof of her car, she realizes just how far she has sunk since her father's death left her distraught and almost unhinged. (She writes him daily picture postcards, knowing full well he is gone but unable to come to terms with her loss.)
After attempting suicide and being thrown out by her philandering husband, she meets Lloyd and Shane, two recovering alcoholics who have devised a scheme to smuggle Coors beer to the East Coast. Longing to be reunited with her eight-year-old daughter Shannon in North Carolina (Sandlin chronicled Shannon's birth in Skipped Parts ), Maurey decamps on an unlikely odyssey, pulling a horse trailer full of beer behind a broken-down old ambulance, sipping Yukon Jack from the bottle as her companions search for AA meetings. Maurey is not yet ready to deal with her alcoholism or her reluctance to be loved, but the hardships of the road and the bonds that unite this group of refugees (others join them along the way) will change that.
Maurey's wry, cocksure voice evokes both her cowgirl roots and the novel's '70s setting. Despite the bickering, sarcasm, cynicism and personal tragedy that season the lives of his colorful, credible characters, Sandlin fashions a convincing tale of redemption.
