It was a heavy oak door with an iron frame, created centuries ago by an overzealous carpenter to have, perhaps, more corners than it should. The edges were carefully fitted to lie flush against the stained, stone walls, and the heavy boards were nailed together so tightly that not even the flickering torch light could wedge between them. In all, the effect was so overdone, the construction so inhumanly strong, that the whole black affair had transcended simple confinement and become a monument to the absolute hopelessness of the prisoner’s situation. Eli decided to focus on the wood; the iron would have taken forever. He ran his hands over it, long fingers gently tapping in a way living trees find desperately annoying, but dead wood finds soothing, like a scratch behind the ears. At last, the boards gave a little shudder and said, in a dusty, splintery voice, “What do you want?” “My dear friend,” Eli said, never letting up on his tapping, “the real question here is, what do you want?”
