She had waited she did not know how long, without caring, among the linoleum squares. These were an old yellow-brown. I can wait here very much longer, Theodora said. Labels were plastered on her luggage, but her face was bare. There are the faces that do not belong particularly anywhere and which, for that reason, can rest unquestioned. Theodora looked at her labels, at all those places to which apparently she had been. In all those places, she realized, people were behaving still, opening umbrellas, switching off the light, singing Wagner, kissing, looking out of open windows for something they had not yet discovered, buying a ticket for the metro, eating salted almonds and feeling a thirst. But now that she sat in the hall of the Hôtel du Midi and waited, none of those acts was what one would call relevant, if it ever had been. She touched the old dark ugly furniture that had a dark and lingering smell of olives, the same sombre glare. There is perhaps no more complete a reality than a chair and a table.