My father and I would trade off roles: one of us had to lie very still with eyes closed and arms crossed over the chest, and the other had to complain, “I’ve been searching these pyramids for so many years. When will I ever find the tomb of Tutankhamun?” (This was in the late seventies, when Tut was at the Met, and we came in from the suburbs to visit him frequently.) At the climax of the game, the explorer stumbles on the embalmed pharaoh and—brace yourself—the mummy opens his eyes and comes to life. The explorer has to express shock, and then says, “So, what’s new?” To which the mummy replies, “You.” I was not big on playing house. I preferred make-believe that revolved around adventure, featuring pirates and knights. I was also domineering, impatient, relentlessly verbal, and, as an only child, often baffled by the mores of other kids. I was not a popular little girl. I played Robinson Crusoe in a small wooden fort that my parents built for me in the back yard. In the fort I was neither ostracized nor ill at ease—I was self-reliant, brave, ingeniously surviving, if lost.
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