The Citadel Of The Autarch (1983) - Plot & Excerpts
Gene Wolfe’s deceptively long Book of the New Sun comes to a close with this, the final volume, The Citadel of the Autarch. (Actually, that’s not quite true – he apparently wrote an extra book in 1987 called The Urth of the New Sun, which I may or may not read in the future.)This was a difficult series to review because it’s really just one long book split into four, and – like many promising stories whose ultimate value hinges on how well they turn out – I couldn’t really judge it until now. So this is going to be a review of both The Citadel of the Autarch and the Book of the New Sun as a whole, and spoilers will abound.I originally heard about this series in 2011 when I was working in a bookstore and trying to get back into the fantasy genre. The Book of the New Sun and George R.R. Martin’s A Song of Ice and Fire were the two series which, above all others, were mentioned as the high point of fantasy fiction in the last fifty years. The only reason I chose to go with Martin first was that 2012 was clearly his year, with the TV series coming out and out store shifting more than 50 copies of A Game of Thrones every day. Given how thick that series is, I didn’t get around to the Book of the New Sun until last month.It’s ostensibly fantasy, but is really science fiction; a good example of why these sections are often lumped together in bookstores. The protagonist, Severian, is a journeyman apprentice from the Seekers of Truth and Penitence, more commonly known as the guild of torturers. After breaking his vow, Severian is expelled from the guild and sent out to face the wonders and dangers of Wolfe’s rich fantasy world, which is actually our own planet far into the future, when the sun is slowly dying.Wolfe excels at fantasy world-building – not just in the imaginative creation of the world itself, but the techniques he uses to create it. Unusually for a fantasy series, The Book of the New Sun is narrated in first person, and Severian’s point of view is used to great effect. He regularly interprets certain scientific processes as magical and casually skims over tantalising details because he considers them mundane. Much of the enjoyment of the book comes from parsing Severian’s story for details about his world, and trying to piece together what’s going on and what kind of a place he’s in.The Citadel of the Autarch does and doesn’t lead to answers. This isn’t Lost, and it’s not like I really expected precise answers, given that so much of the book was written in mystic, arcane prose designed to hint at the truth rather than reveal it. The central conceit of the book – the awaited New Sun – is dealt with in a way that perfectly summarises Wolfe’s marriage of fantasy and science fiction, describing processes of such high, theoretical quantum physics that to a layman they are almost fantasy, and planting them in a world where the inhabitants do indeed consider them to be the stuff of religion, myth and prophecy:“You know of the chasms of space, which some call the Black Pits, from which no speck of matter or gleam of light ever returns. But what you have not known until now is that these chasms have their counterparts in the White Fountains, from which matter and energy rejected from a higher universe flow in endless cataract into this one. If you pass – if our race is judged ready to reenter the wide seas of space – such a White Fountain will be created in the heart of our sun.”The Book of the New Sun embraces, more than any other work I have seen, Arthur C. Clarke’s axiom that “any sufficiently advanced technology is indistinguishable from magic.”Remaining on the subject of things I enjoyed in The Citadel of the Autarch, Severian’s ascent to the throne – which is casually mentioned to be his fate early in the first book – always seemed unlikely given his station in life, but is handled perfectly believably, utilising fantasy/sci-fi elements that were a major part of the series from the very first chapter. (It also gives a clever twist to the royal pronoun “we.”)The problem with the Book of the New Sun is that while Severian’s retrospective memoir narrative works wonders in establishing a great fantasy world, it fails at actually telling a good story. It can be overly dry and constantly digresses, and the plot-driven parts of the book suffer for it. The Citadel of the Autarch, in particular, has a clump of unforgivably tedious battle sequences at its centre which almost sent me to sleep. And The Book of the New Sun is, overall, a plot-driven story, which means that more often than not I was pushing myself through because I was fascinated by the world, rather than genuinely enjoying the book because I liked the story. (See also – China Mieville.) The Book of the New Sun is undoubtedly a series that would reward re-reading, but I doubt I’ll ever have the inclination to do so.The series also feels far too constrained and dictated. Severian is a free agent with free will, and throughout the book he regularly informs to the reader of his goals and motives. Yet he feels like a puppet on a string, because he keeps randomly encountering important people and major events and recurring characters. It feels as though everything he does is pre-ordained. Which, as far as I can tell from the book’s conclusion, it may be – but then there’s the problem of deus ex machina, which the series is marinated in. Wolfe even has the cheek to have a minor character say:“It refers to some supernatural force, personified and brought onto the stage in the last act in order that the play may end well. None but poor playwrights do it, they say, but those who say so forget that it is better to have a power lowered on a rope, and a play that ends well, than nothing, and a play that ends badly.”The Book of the New Sun often feels more like conceptual literary fantasy/sci-fi than an actual story that one reads for enjoyment. I find it quite interesting that it’s considered to rank alongside A Song of Ice and Fire, because the two are apples and oranges. I definitely prefer Martin’s series, because it’s easier to read, more entertaining, and bucks enough cliches to elevate itself above schlock genre fiction. Wolfe’s series, on the other hand, pulls up just shy of the point where I’d call it pretentious, and I can easily see how it’s stuck in an uneasy niche – too literary for fantasy readers, and too fantasy for literary readers.They’re not bad books. They aren’t the books I was expecting them to be, and I can’t say I truly enjoyed them, but they are bold and unique and worth at least checking out for fans of both fantasy and science fiction. I also suspect that, like certain other critically acclaimed books that I didn’t give great reviews to (Wolf Hall, True History of the Kelly Gang) I’ll find that they stick in my mind and I come to think much better of them than I do right now.A final note, which didn’t fit elsewhere – Wolfe’s note-bearing epilogues at the end of each book are just plain strange. The epilogues – which run at the end of each of the four books, for only three or four pages – are in-universe frame story notes written from the point of view of a “scholar,” apparently of our own time, studying the Book of the New Sun as a “manuscript” and attempting to learn about Severian’s world. They go some way to explaining a few bits and piece, but I’m confused as to why Wolfe would insert them in the first place when he obviously trusted most readers to be smart enough and engaged enough to pick out the details themselves. Furthermore, if he was going to use this technique, it should have been employed more regularly, in footnotes and endnotes and chapter breaks all over the novels, ala Jonathan Strange and Mr Norrell. Instead we have four epilogues, totalling about 10 pages, versus 1,212 pages of narrative. Why bother? Either put them in often or cut them entirely.
This is an odd review for me to write. I've read this book three times now. It's the final volume in a four-book cycle. And I haven't reviewed any of the previous books, but I have reviewed the series as a whole. However, I'm trying to review every book I read this year (wish me luck!) so here goes:The Citadel of the Autarch is the final volume of Gene Wolfe's career-defining masterpiece, The Book of the New Sun, which I've read every December (sometimes carrying over into January) for the past three years. It's a dense, mysterious, powerful, bewildering, and moving saga that rewards rereads like nothing else this side of Steven Erikson's Malazan Book of the Fallen. If you haven't read it before, (A) do it!, and (B) I feel compelled to warn you that this review contains spoilers.Following from the end of the last volume, The Sword of the Lictor, this book sees Severian heading north from Lake Diuturna, where he comes face-to-face with the war against the Ascians. I've long considered this book (along with the previous volume) as the weaker half of TBotNS, with the flight from Thrax (in Sword) and the war in this book being—to me—fairly uninteresting affairs. I had to reconsider that opinion when I recently reread Sword, and ran into the same situation with Citadel this last time through.Severian approaches the war obliquely at first, encountering a dead soldier who appears to be resurrected by the Claw of the Conciliator, then accompanying said soldier to a lazaret where the war's victims are being treated. At this point in the narrative, Severian transcribes a collection of tales heard during his time in the lazaret. During my first read, I was irritated with the break in the narrative that these stories created. The second time, I knew it was coming and was able to hunker down and power through, as it were. This time around, I found myself looking forward to the stories, especially "The Armiger's Daughter", which I read a couple of times, I love it so much now. When Severian leaves the lazaret (all too soon) he is thrust into the war proper, and though this section of the book is still one of the most confusing in the entire Book, it's far shorter than I remembered. His direct involvement in the war over, he goes through a series of encounters with old "friends", culminating in his becoming the Autarch of the Commonwealth (not a spoiler; he reveals this at the end of the second chapter in the first book.)After that, there are a handful of chapters devoted to tying up loose ends or clarifying a select few of the sequence's mysteries. For me, this is part of the big payoff of the series, but only part; most of the payoff is actually going back and reading it all over again to try and make sense of everything with a new perspective. As Severian says in the final chapter:Have I told you all I promised? I am aware that at various places in my narrative I have pledged that this or that should be made clear in the knitting up of the story. I remember them all, I am sure, but then I remember so much else. Before you assume that I have cheated you, read again, as I will write again.I can think of little else to say other than that this is a powerful conclusion to a SF masterpiece, almost a religious experience, with a scope of overwhelming extragalactic magnitude, but which also—viewed through Severian's eyes—reaches down and touches at an intimately personal level. 5 out of 5 stars for this final volume, and 5/5 for the Book as a whole.
What do You think about The Citadel Of The Autarch (1983)?
And so concludes one of the strangest fantasy series I've ever read. At times I felt bowled over by the meandering narrative, beautiful prose and superb story telling but at others I felt a little lost trying to wrestle with the cryptic meanings and grasp just what he author was trying to say.I particularly loved the first half of this book, while Severian convalesces after a particularly severe fever, he is called upon to adjudicate between several suitors who are trying to win over a woman and she decides that she will marry whoever tells the best story. This seemingly pointless transgression from the main plot adds a richness to the story. I felt that Wolfe was trying to show the power of story telling, how multiple levels of meaning can be inter-woven into a story and how it can be used to mask one's real intentions.Finally we learn of Severian's destiny and a new light is shed on past events in the earlier books. It is tempting to go back to the beginning and read it again right now just to see how what I know now shapes my interpretation of the story and, if I didn't have so much else to read, I would. I will definitely re-read it eventually though as it truly is a fantasy masterwork.
—Simon
The conclusion of the Book of the New Sun—this series was apparently written as one manuscript and divided into four books for publication and they truly feel that way. I think that to properly appreciate it, I would have to go back and read through all four continuously. The second time through, I would know which details to pay attention to and a lot of the small confusions which I have regarding the plot would likely resolve themselves. Unfortunately, life is short and I’m unlikely to be willing to relinquish reading time to a re-reading this series. I do plan, however, to read the fifth book set on Urth when I reach it in my reading project.SPOILERS WILL LIKELY ABOUND FROM THIS POINT FORWARD!There are definitely similarities to Frank Herbert’s Dune series—at least with regard to the nature of the Autarch. Just as with Atreides rulers, Severian ends up truly being able to use the royal “we.” I also found myself wondering if he truly needed the Claw of the Conciliator in order to perform many of the “miracles” which followed in his wake. Perhaps the dog, Triskele, which was saved in the first pages in the first book, was the original signal of Severian’s unusual talents and foreshadowing of his future. I was also gratified to realize that my first thoughts about Dorcas (that she was one of the dead people “buried” in the lake and somehow revived) were true. This is very much a “chosen one” story—but the ones doing the choosing are interesting. If I’ve got it figured correctly, Severian is chosen by people from the future of Urth who spelunk into the past to make sure that events occur as those people desire it to. Are they aliens? Or are they future, evolved members of Urth’s population? To me, at least, the answer to that question is unsure.Although it is a very engaging tale, it does fail the Bechdel test miserably. There are a number of female characters, but they don’t interact much—their attention is riveted on Severian. Mind you, this is the state of most of the male characters too, so I can’t hold it against the work too much. A very good series. I would recommend that science fiction and fantasy fans read it at least once.Title 165 of my science fiction and fantasy reading project.
—Wanda
- 'All the world was a relic.'This is the least successful book of the series with regards pacing, where the early stages of Severian's extended illness and the story-telling competition - though fascinating in itself - perhaps stretch over a little too long before the wider narrative kicks back in.But the I have always felt that properly 'The Book of the New Sun' is single work, the piece-meal release of four volumes being nothing but a publishing concession. Read as part of a whole the becalmed first third would have been more appropriate. Severian meanders towards the frontline of the Commonwealth is fighting with Ascians in his guileless way, ending up on the battlefield and meeting the Autarch for the last time who he has been destined to replace from the first page of the series. You finally understand what he meant when he began his narrative by describing how he 'backed into the throne', yet at the same time you come to realize that this was not in fact the case, that powerful agents have had a steady hand in his ascendency from the get go.- without his weapon, Terminus Est, which was destroyed at the end of the previous book, but he comes to realize that 'resolution and a plan are better than a sword, because a man whets his own edges on them.'
—Perry Whitford
