Before winning recognition as an artist and writer, Emily Carr served as landlady to an apartment building where she bred English sheep dogs to supplement a meager income. A collection of stories about those hard-working days, The House of All Sorts features vividly portrayed tenants who frequently surprise Carr with their foibles, as well as the beloved canines who provide her with companionship. Carr is at her most acerbic and rueful, but also filled with vitality and an inextinguishable hope.
What do You think about The House Of All Sorts (1970)?