—STEPHEN CRANE As if to make up for its sluggish pace at Harris’s house, time rocketed forward, giving Olivia only a dizzying impression of hospital hallways and the scent of ammonia and an animalistic blend of sickness and fear. She ended up in a waiting room with blue chairs and beige walls. The area was so bland that the enormous vase of Matisse-bold daylilies on the counter of the nurses’ station seemed jarringly bright. At some point, Harris’s parents arrived—a nice-looking, tidy couple in cotton shirts and khaki pants. They gripped each other as Rawlings explained what had happened. Estelle showed up soon after, crying theatrically and cornering everyone in scrubs to demand an update on her boyfriend’s condition. Millay paced outside the swinging doors of the OR like a caged leopard. Laurel pushed cups of vending machine coffee into people’s hands. They all waited, glass-eyed, as the television relayed the day’s news and hospital personnel passed by with carts of food, medicine, or clean linen.
