The Mammoth Book Of Golden Age SF - Plot & Excerpts
van Vogt The village at night made a curiously timeless picture. Fara walked contentedly beside his wife along the street. The air was like wine; and he was thinking dimly of the artist who had come up from Imperial City and made what the telestats called – he remembered the phrase vividly – “a symbolic painting reminiscent of a scene in the electrical age of seven thousand years ago.” Fara believed that utterly. The street before him with its weedless, automatically tended gardens, its shops set well back among the flowers, its perpetual hard, grassy sidewalks and its street lamps that glowed from every pore of their structure – this was a restful paradise where time had stood still. And it was like being a part of life that the great artist’s picture of this quiet, peaceful scene before him was now in the collection of the empress herself. She had praised it, and naturally the thrice-blest artist had immediately and humbly begged her to accept it. What a joy it must be to be able to offer personal homage to the glorious, the divine, the serenely gracious and lovely Innelda Isher, one thousand one hundred eightieth of her line.
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