The Marriage Of Cadmus And Harmony - Plot & Excerpts
The prey might be a fabulous animal, or an image, a statue: the Calydonian boar, the Golden Fleece, the Trojan Palladium. They are a magnificent sight, the heroes, lining up in disciplined ranks on the benches of the Argo, muscles glistening like flames. And all the Olympians watch them, from the balconies of heaven. Or there’s that moment when Jason shoulders his way through the throng of the Magnetes before setting out on his travels, and the priestess of Artemis kisses his hands and stares at him with such feeling she can’t say a word, and Jason leaves her behind him, as the young leave the old. Or the moment when Pollux, Zeus’s boxer son, gets ready to face Amycus, king of the Bebryces, and radiates strength, although his cheeks are barely downed with hair and his eye is wet and glistening like a child’s. It is at such moments, and not in their shrewder gestures, that the splendor of the heroes shines through. Apart from Theseus and Odysseus, whose greatest adventures were solitary, the heroes reveal something about themselves when they’re together, something that was already there and oppressing them when they were alone: a sort of dark curtain weighs on their minds, a noble obtuseness dogs them.
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