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Read The Medici Conspiracy: The Illicit Journey Of Looted Antiquities--From Italy's Tomb Raiders To The World's Greatest Museums (2006)

The Medici Conspiracy: The Illicit Journey of Looted Antiquities--From Italy's Tomb Raiders to the World's Greatest Museums (2006)

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3.79 of 5 Votes: 5
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ISBN
1586484028 (ISBN13: 9781586484026)
Language
English
Publisher
perseus press (non returnable account)

The Medici Conspiracy: The Illicit Journey Of Looted Antiquities--From Italy's Tomb Raiders To The World's Greatest Museums (2006) - Plot & Excerpts

This book burst all my rose tinted bubbles about "Gentlemen Art Thieves". There are no Thomas Crowns or Indiana Joneses but a cartel of nasty mafioso more in line with "The Sopranos" or "James Bond" circa 1970's. But that is the reality because this book is a Non-Fiction. A non-fiction that reads like an epic crime novel with all your eccentric cast of characters from the paranoid crime boss who obsessively documents his loot and stores ancient artifacts in a giant pool filled with chemical solutions in his lavish villa, to the determined Interpol/Callibinieri detective who lead the sting that would change European customs policy. Let's not forget the undercover American FBI agent with a bad attitude racing down Miami highways in a super sports car carrying priceless paintings. Annnnd, your old museum expert who spent his career blowing the whistle and being persecuted for telling the truth! (Cue trailer for "The International")My god crime/art/history buffs ! You're in for a treat. Best of all? Being an art or history geek has never felt this cool! Most shocking revelation : The Met & The Getty are scumbag grave robbers!

Well written and documented inquest into the world of antiquities. The looting, the thefts, the complaisance of the professionals (curators, museum board members, scholars), the greed all combine to make it extremely easy for tomb raiders (that includes collectors, museums, tombaroli, smugglers) to despoil entire region. It shows how since the 1960 a system, international system, was put in place to answer the demand for antiquities from collectors and that there was a huge profit to be made out of it. For smugglers, for collectors who launder the loot then turns around and 'donate' to museums with a big tax break. Antiquities became commodities like oil and corn by the 1980.The demonstration by the Italians Art squad of the system is solid and very interesting to read. The last third lags a little from the repeats of the cases, since it covers the legal trials of the people arrested still it's a well written and solid account of investigating journalism.

What do You think about The Medici Conspiracy: The Illicit Journey Of Looted Antiquities--From Italy's Tomb Raiders To The World's Greatest Museums (2006)?

A fascinating look at the unscrupulous and criminal ways that museums and major auction houses have aided and abetted the looting of priceless antiquities. This has damaged history and archaeology; the theft of these pieces not only removes them from their country of origin, but prevents scientists from seeing them in the context they were found. As a result, their display adds nothing to our understanding of the cultures and civilizations that created them. The museums involved are not small ones you've never heard of, they are among the most prominent worldwide. A great read.
—Donn

This is an extremely well researched book. And while it may make it a dense read, the amount of detail seems necessary to show the scope of looted antiquities trade. Watson follows an international network of looters, middle men, art dealers, archaeologists, and collectors - exposing not only the convoluted schemes, but also making it very clear what a gray area antiquities trade is. That's not to say that he's an apologist for the looters, but on the receiving end, there are scholar providing false accounts of provenance, and museum curators turning a blind eye to sources of the art, and they are no less guilty. This book made it very obvious.
—kari

A fascinating read, written by a writer from The New Yorker, some of which I had read in that magazine. I've also seen collections of antiquities in major museums in Berlin, Paris, London, New York, and Malibu (plus a few others). The question of provenance of these objects is hotly contested, even to the extent of prosecutors taking some cases to court on an international scale. This book describes in great detail some of these cases. It would be hard now to look at some Greek pots and statues and not wonder whether or not they had been looted or even faked.
—Millie

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