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Read The Other Wind (2003)

The Other Wind (2003)

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4.01 of 5 Votes: 4
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ISBN
044101125X (ISBN13: 9780441011254)
Language
English
Publisher
ace books

The Other Wind (2003) - Plot & Excerpts

The Other Wind is a beautiful book. I don't think I liked it all that much the first time I read it, but now I see exactly how it fits. It's less incongruous than Tehanu, for me, but follows on neatly enough -- and it does use all the ideas and feelings that are brought up in Tehanu. Set a long time after it, it makes most sense if you've read Dragonfly, from Tales from Earthsea, before you read it. The first time I tried to read it, I don't think I had, and I had no idea who Orm Irian was or why she was significant.One thing that I disliked in The Farthest Shore was the picture painted of death. It was difficult to think of it as such a crime to come back from there, when it was so miserable, where lovers could pass each other in the street and not care. The Other Wind sets this right. It's interesting to me that, at the end of The Farthest Shore she thought the series had ended, and presumably also at the end of Tehanu, but this book fits so cleanly, so clearly, as if it was intended all along.The writing is once again beautiful, in places. I found it rather commonplace in Tehanu, matching the subject matter, but there are some really gorgeous quotes in this book. This one is perhaps my favourite:"I think," Tehanu said in her soft, strange voice, "that when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn't do. All that I might have been and couldn't be. All the choices I didn't make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven't been lived yet. That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed."Along with the recurring theme of life and death, and the one giving value to the other, we also have more criticism of the male-dominated system, and of the male way of thinking in Earthsea. How much of this is meant to be political commentary, and how much of this is Ursula Le Guin exploring her own world, I doubt we need to know. It's interesting that she introduced what is basically a burqa, without any particular comment on whether it is anti-feminist or not. Sesarakh comes out from behind her veil, of course, but I didn't feel like Le Guin was saying omg burqas r evol!Character-wise, we have a lot of characters from other books, but there are some new ones as well. Chief among these is Alder, and Sesarakh. I don't think it's really explained quite thoroughly enough why Alder is the centre of all this -- it doesn't really make sense, when he's just a town sorcerer -- but it does break the pattern of Roke-wizards being all-important, as does the inclusion of Seppal, and it is something that would happen... an 'ordinary' person getting swept up in great events. Also, isn't Ged ordinary, at the beginning? So maybe it needs no better explanation. Anyway, I didn't get as attached to him as to Ged or Lebannen, but he did make me smile sometimes, reading about him. And I was sad, at the end.Sesarakh is an interesting character, another vector for the discussion of the female in Earthsea. I didn't get to love her as a character, or really feel the romance between her and Lebannen, but that wasn't really the point. I did want to kick Lebannen rather, for the way he treats her and thinks about her. But Tenar had him well in hand, really.I was going to say that The Other Wind isn't my favourite book of the series, but really I don't see why it shouldn't be. It brings together and carries on the work that, in retrospect, all the other books began. It offers some bright, beautiful images and some hope for what happens after death, and I don't see why it can't be an education and a comfort to us, too. "Only in dying, life," is a truth for us, too.

How many months overdue is this review? Since sometime late last year, anyway...I was still in Belgium...that was two countries ago!This will almost certainly be the last novel about Earthsea that we shall see from Ursula LeGuin and it is a much more fitting end than Tehanu because it feels triumphant rather than negative. In similar vein to the Tales from Earthsea, ancient crimes and cover-ups that have had profound effects on the Archipelago's peoples are revealed. Matters are also set to rights. It's not really a spoiler to say that this is not a book about Ged, although he appears in the story and performs a minor miracle involving a kitten without using any wizardry at all. Instead, Tenar, Tehanu and Dragonfly come to the fore, along with the King, a sorcerer with troubling dreams and a Princess from the Kargish lands. That women take an equal or leading role in this story feels very natural, arising from the story, where-as in Tehanu the story was contrived to highlight women. Perhaps that is the ultimate reason why Tehanu troubles many people and is not an unqualified success. This, however, is a triumphant success.So many of the themes arising in the previous books are taken up again and given a last examination. The desire for immortality, the nature of Dragons, the history of the Kargs and the Archipeligans, perceptions and mis-perceptions of foreign peoples, the roles of women in society. The whole thing is brought to an unexpected and wonderful conclusion.This feels much more like the original three books than either of the two later ones but it does still lack the sense of exploration I prize so highly that is found in A Wizard of Earthsea and The Final Shore, which leads me back to the beginning of the review; this is the last of Earthsea and there are somethings I could wish had happened somewhere along the way, that didn't: Ged travels far and wide in the course of his stories but we never sail the North Reach with him or explore Hogen land. Is it another island, or a high-latitude continent like Antarctica? Another Goodreader suggested that Ged and Tenar should have had a child; that would have been lovely but perhaps Ged is too old?This series as a whole represents one of the great triumphs of fantasy literature, more profound, thought-provoking, imaginative and beautifully written than most books I have ever read. It deserves to be taken up in the canon in the way that Lord of the Rings has been. Farewell, Earthsea, until next time I need magic, adventure and beauty, all at once. (view spoiler)[ Near the end of this volume the protagonists wonder if their actions will destroy all magic in Earthsea. It doesn't happen which is a profound relief because Earthsea without Wizardry would be like air without oxygen, to me. (hide spoiler)]

What do You think about The Other Wind (2003)?

After my [ex-]husband got me into the Earthsea Cycle novels by Ursula LeGuin, I was quick to order the three books added after he'd read the books. I delayed reading The Other Wind after I lost the fourth book in the series, Tehanu, but finally gave in to the lure of finding out what had happened to the characters I'd grown to enjoy, but it made no sense. Once I finally found Tehanu, I reread The Other Wind and everything suddenly made sense.::: Dragon Time :::When The Other Wind begins, Ged/Sparrowhawk is alone in the house at Re Albi. Tenar and Tehanu have gone to Havnor at the request of King Lebannen, but Ged receives a visitor, a sorcerer named Alder who has been sent by the mages at Roke to Ged. Alder has been having strange dreams of the Dry Land of death that Ged and Lebannen had visited and returned from in The Farthest Shore, and in them, he has met his dead wife and teacher, both begging him for freedom. When they touch him, he wakes up with burns on his skin, and he is unable to sleep without returning to that land. Ged hears Alder's story and tells him what he knows of the Dry Land, then sends Alder on another journey to Havnor to talk to Lebannen, and also to pose two questions to Tehanu.When Alder arrives at Havnor, he discovers that Lebannen has troubles of another sort; the High King of the Kargad Lands has sent his daughter to Lebannen as a sign of peace, expecting Lebannen to marry her. Now Lebannen has no idea what to do with the princess or Alder's story. As he discusses the situations with his council, Tenar, and Tehanu, it is decided that they will travel to roke: Tenar, Tehanu, Lebannen, the Princess, and two mages: Onyx, and a Pelnish wizard, along with Orm Irian, a dragon who can take the form of a human who had actually been at the school at Roke, even though she is female. Once on Roke, they attempt to determine what to do about the dreams that now everyone in Earthsea seems to be having, and Tehanu finally discovers what she truly is.::: Loose Ends Tied Up :::While LeGuin has stated that she originally felt that the Earthsea Cycle was completed with Tehanu, I'm sure that fans agreed that there were too many questions; what was the Dry Land, and why was there a wall that couldn't be crossed? Was everything truly back to the way it was before Cob attempted to achieve immortality? What did Ogion mean when he said everything was changed? And what was the ultimate destiny for Tehanu?Without reading Tehanu, The Other Wind won't make much sense at all; it's a book that definitely relies on the previous books (especially Tehanu) in the series for an understanding of the characters and situations. For fans of the Earthsea Cycle, just about every question is answered, and the ending of the Cycle is satisfying, if a bit sad.The only complaint that I can think of is that The Other Wind doesn't have nearly enough about Ged. Hopes that Ged might join the party on Roke, or have one last reunion with Lebannen are dashed, and he seems almost an afterthought after his initial time with Alder, disappointing since he had been the central figure up until Tehanu. This review previously published at Epinions: http://www.epinions.com/review/The_Ot...
—Cyndy Aleo

Is it me, or is the only way someone can be a good guy in this book (maybe in all of her work--I'm not a fan) by giving up something that's vital to themselves and the people around them? Not just a few, but everyone has to do this? That in the end she'd strip all her mages on their power if she could find a way to do it, or leave them nasty, mingey, sour people tightly clutching their skills to their chests and only reluctantly doling out bits of their knowledge to others because it's expected of them? And that a woman's lot is to give things up and be in pain, or smile and be ready with hugs when the kids and the men venture out to do the rough stuff? That true, ultimate love is found in a moment while the other person isn't paying attention?I read the Earthsea trilogy in my late twenties, couldn't face TEHANU after hearing about the clapping songs, and I read LEFT HAND OF DARKNESS in college. It left me simmering in a deep pit of rage I have yet to climb out of. (An Earthman is isolated in a shack with one of a race that turns from male to female, and the first signs the other creature gives that he's turning female is PMS hysterics? Degradation much?) So no, I'm not a fan, but Michelle West said THE OTHER WIND was the book LeGuin was born to write, and it was okay--I finished it. It was okay for a book where a growing number of interesting people went places and talked and acquired more people to go places and talk and put together the problem--and I won't do a spoiler. And during the story and previous to the story people had to give up the core of themselves as payment so many times that it got on my nerves. Yes, I believe that great victories demand great prices, but where was the feeling of victory? Where was the feeling of battle? And for all the mentions of the strong Karg women with their strong bare arms and strong bare feet, they got to be strong and wait.
—Tamora Pierce

Escrever sobre a vida e a morte na sua essência é uma das histórias mais difíceis de contar. Podemos contar a vida de alguém, relatar os actos que levaram alguém à morte, divagar sobre o seu significado metafísico, mas relacionar viver e morrer na sua plenitude é uma tarefa árdua.E se compreendemos a dificuldade de contar uma história cuja temática é esta verdade universal em que ‘toda a vida tem uma morte’, então apreciar a obra “Num Vento Diferente” de Ursula K. Le Guin é fácil.Sei que este livro faz parte de uma série. Sei que ele se sustenta a si mesmo, não necessitando de qualquer obra introdutória. Sei que é uma obra que tanto tem de simples como de mágico. As personagens e os seus caminhos são, no decorrer da acção, insondáveis. Os mistérios e a magia que envolvem estas páginas prendem o leitor na sua simplicidade e beleza. Mesmo aqueles que podem à primeira vista parecer disformes, são exemplos de beleza em níveis muito mais profundos do que o aspecto exterior. Tenar, Tehanu, o Amieiro, Lébannen, Seserakh e Gued guiam-nos num mundo em que os dragões existem (símbolo do transporte etéreo), em que as encruzilhadas e as escolhas (verw nadan) nos dividem, onde a Vida e a Morte são afinal dádivas, ambas com o mesmo valor.O equilíbrio, o desejo de imortalidade, o amor parental, romântico e a amizade são-nos mostrados e não contados, tal como devem ser.Um livro brilhante. E desconfio que, ainda virão outros dias em que a história irá revelar-me outras dimensões. Afinal, abarcar a Vida e a Morte num breve conjunto de páginas nunca seria tarefa fácil de executar, nem compreender.http://sarinhafarinha.wordpress.com/2...
—Sara Farinha

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