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Read The Seventh (1966)

The Seventh (1966)

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Rating
4.11 of 5 Votes: 3
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Language
English
Publisher
pocket books

The Seventh (1966) - Plot & Excerpts

this one starts just after the heist: parker's stashed the boodle in his closet until the heat cools down and then he'll distribute it evenly amongst his six partners. day three in hiding, parker heads out for coffee, and upon his return, discovers that someone has plunged a sword through his naked girlfriend's chest and the bed she was lying on (no biggie), and has taken all the loot (way biggie) -- parker's gotta figure out if it was one of his team or an outsider. and then catch the thieving bastard. there's something enjoyable about this particular series: as stark knows that parker will live to fight another day, he doesn't have to invest all he's got in one particular caper. now, that might sound assbackwards to some of you, might seem i'm saying that stark can kick back and make one caper less interesting than the next... but it actually makes for a better overall series. y'see, most of parker's 'jobs' proceed as we expect of the 'heist': a well made plan crumbles and our anti-hero's gotta improvise, pick up the pieces, and, by the end, walk off with the macguffin. but, as stark's got so many tales to tell, there are some books which end in which the plan doesn't work out, parker leaves empty handed, and the bloody pile of his partner's bodies is roof-high. and then there are some which go off without a hitch: in which everything goes according to plan and the caper just ends as expected. the latter's actually kind of jarring in that crime fiction has conditioned us to expect some kind of deviation from what was planned -- when it all just proceeds along, and ends with, a straight line, we kick back and appreciate the confidence and bowling-ball sized testes richard stark displays. nice. i wanted to rank this one higher than three stars: there's more originality and enjoyment in here than in most crime writers' entire bodies of work. but i rate stark by a higher standard: certain details and missed opportunities just drove me a bit batty... most specifically the large amount of magic bullets flying around the joint. yeah, yeah, the guy who fires most of 'em is an amateur, but c'mon: throw enough darts... y'know? if we stop believing in our protagonist's fallibility, we're sunk. we know parker's gotta live (shit, we're only on book #7 of #24), but the illusion of mortality's gotta be believable or the book becomes wallpaper. next up: the outfit

In that neat style, "The Seventh" is not only No 7 in the Parker series, but also deals with 7 crooks sharing loot 7 ways and when someone outside the system screws up - how that seven becomes meaningless...well, till the end because nothing screws up for Parker on a permanent level. And that is the beauty of the Parker series. It reads like oatmeal every morning and you are always happy after the meal. It is sort of the perfect airplane read but without the guilt - because these books are superb. To review them as separate titles is almost pointless, because really, they're the same novel. Parker is a man with little emotion but highly professional. He is part of a group stealing something (and that something has really no importance) and the fun of the novels is watching how the heist falls apart. In other words the heist or crime always fail on the grand picture, although Parker sometimes wins in the end.So the novels are about how the failure happens, who screws up, who talks to the wrong person, and how they do their business. There are few surprises in the series which is why it is almost a trust-worthy no money back sure thing that you are getting your value out of these novels.So yeah, its almost genius like in how Donald Westlake (Richard Stark) writes these perfect narrations on an on-going basis. But alas, he does and we the reader are thankful in a world that is falling apart - at the very least we can expect another Parker novel that will again say "things are alright in the heist world."

What do You think about The Seventh (1966)?

I must give a little preamble regarding my feelings about Parker. My ultimate favorite fictional characters have always operated on the outskirts of the law. For instance, in the medium of film; The Man With No Name, Batman, Jef Costello (Le Samourai), and Ethan Edwards round off my list of existential badasses. I have recently become fascinated with crime fiction and now incorporate Parker into my list and as the series unfolds he may even top the charts. I still have a long way to go until I reach Butcher's Moon which I know just enough about to realize that it may be the acme and the end of the "original" Parker series. The problem I face now is whether or not to ignore my graduate studies and other authors in order to plow through these books in order to reach what others refer to as Stark's masterpiece ... or savor each offering until the (sad) day finally arrives when the last entree of this fun-filled banquet is served. Damn I love these books.The Seventh is Stark (Westlake) firing on all cylinders. Here we encounter all the hallmarks which make the books great; revenge, an elaborate and unique heist, unforeseen trouble, distracting ladies, and an ending so satisfying that it left me in wonderment of what else this series could possibly have in store. Another aspect about this entry is the assorted crew which Parker finds himself with. As I read these I of course want to experience what Parker does but at the same time his counterparts always provide interesting backgrounds and elements to the story. I equate it with Parker being some kickass rockstar that everyone paid to see and being joyfully surprised with his backup musicians at his performance. The Seventh has this quality as did The Score and parts of The Outfit.Man this one was fun.
—Piker7977

It’s an elaborate heist that requires a crew of seven to pull it off. But it works, and Parker and his men make off with over $100,000 dollars in proceeds money from an Ivy League football game. Until the heat dies down and the team can reassemble for the seven-way split, Parker keeps the money and the guns at his woman’s apartment. For Parker it hardly matters who this woman is. Approaching a job, Parker slips into an asexual mode with no interest but the upcoming heist. After a job, he’s insatiable, and he needs some one ready to fulfill his needs. A member of his team has set him up with Ellie. After three apartment-bound days, Parker goes out for beer and cigarettes. He returns to find Ellie impaled on a sword, and some of the guns along with all the money gone. The money, of course, is the real problem, and this is going to be on Parker. He sets out to make things right.Seven principles and the cops on their trail create a large cast that can sustain a considerable body count. The characters are better defined here than in The Score>, an earlier Parker big heist novel with a similar size cast. Anger leads to resentments, becomes suspicions that open the way for double crosses. And then there’s the poor schmuck who killed Emma and stumbled onto the money. You could almost feel sorry for him, except that he is a petulant fool with a tendency to kill people.
—Charles Dee Mitchell

Richard Stark is responsible for my tiredness this morning as I was unable to put the book down last night. This is a terrific thriller. The opening of the book is magnificent - tense, thrilling and violent. The narrative never flags and Stark switches between pre-heist, heist and the aftermath. Also he gives us perspectives of different characters in the last third of the book which shakes the reader out of any possible torpor. We should not root for Parker - he is violent, sexist, misanthropic - but you find yourself hoping he survives. That is probably selfish as you look forward to the next Parker. There is a real cinematic feel to the book with a couple of thrilling set pieces. The encounter between Parker and the cop Dougherty, the opening sequence and the final chase are all begging for cinematic treatment. Bring on 'The Handle'!
—Seán Rafferty

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