We'll Be Here For The Rest Of Our Lives (2009) - Plot & Excerpts
His productions are to rock and roll what Wagner is to opera. He does it bigger than anyone. On a list of my cultural idols, Phil is number one. I have enormous and genuine admiration for his genius as a songwriter, producer, and musical visionary. He’s my Elvis. I even like Spector’s musical idiosyncrasies. For example, he has great passion for recording in mono. For years he gave away lapel buttons that said, “Back to Mono.” His commitment to mono and opposition to stereo was understandable: he didn’t want his famous Wall of Sound deconstructed. He didn’t want the listener to be able to hear any of the individual elements in the Wall. He wanted the mix heard as he himself had designed it. He didn’t want the listener to be able to shift over to the right speaker or the left speaker and hear any details. In short, he wanted to retain the integrity of the Wall. He wanted the Wall to stand as he originally built it. Not only did I love Spector’s Wall, but I loved the singers and songs he developed.
What do You think about We'll Be Here For The Rest Of Our Lives (2009)?
