She leaned over and picked it up. Bethany, close behind her, whispered, “I bet it’s another anonymous letter. Is Dinah’s name on it?” She closed the door to the corridor. “Yep, Dinah Greene, c/o her friends. It must be from somebody who knows Dinah’s been banished from here,” Loretta said. “That could be anybody who came in last night or early this mornin’. Look what I grabbed from a desk we passed.” Bethany handed Loretta an interoffice memo from Hunt Austin Frederick to all employees, dated and time-stamped the previous evening. Dinah Greene would continue to be in charge of the new art installation, but she would manage the project from her office at the Greene Gallery. Members of Ms. Greene’s staff would complete the hanging of the prints. The Greene Gallery staffers working at DDD&W weren’t named, and Dinah’s absence wasn’t explained. Loretta and Bethany exchanged glances. “I bet Jonathan’s lawyers warned those slugs that if there was a single negative word about Dinah or her business in this memo, he’d devote the family fortune and the rest of his life to ruinin’ them.
