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Read First Into Nagasaki: The Censored Eyewitness Dispatches On Post-Atomic Japan And Its Prisoners Of War (2015)

First Into Nagasaki: The Censored Eyewitness Dispatches on Post-Atomic Japan and Its Prisoners of War (2015)

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3.71 of 5 Votes: 5
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ISBN
0307342018 (ISBN13: 9780307342010)
Language
English
Publisher
crown

First Into Nagasaki: The Censored Eyewitness Dispatches On Post-Atomic Japan And Its Prisoners Of War (2015) - Plot & Excerpts

The book presents the literary version of the "if a tree falls in a forest..." conundrum. Specifically, what is the literary value of news dispatches published 60 years late? In September of 1945, one week from the Japanese surrender and a bit less than a month out from the detonation of "Fat Man," Pulitzer Prize-winning war correspondent George Weller impersonates a colonel and sneaks into Nagasaki in defiance of Douglas MacArthur's general ban. Yet Weller nonetheless sends his daily dispatches through MacArthur's censors in Tokyo, who use 99% of them for wastebasket-ball practice. So why does son/editor Anthony Weller believe the carbons are worth publishing now that they've ceased to be news (aside from belatedly realizing his father's lifelong crusade to escape the cloak of MacArthur's arrogance)? "In our era of the controlled, hygienic 'embedding' of journalists in war zones, amid current disputes over a government's right to keep secrets, the Weller dispatches represent a kind of rogue reporting that many militaries may have snuffed out, but which is still essential to learning the truth." (p. 245) There is no question that this book succeeds and derives its significance as an immediate, first-hand record of both the plutonium bomb's effects in Nagasaki and the wretched treatment that Allied prisoners of war received at the bayonets of the Japanese.On the other hand, the narrative value of war dispatches leaves something to be desired as a contemporary read. From a literary standpoint, the book suffers from insufficient editing, notwithstanding that the editor claims to have excised 20 percent of the content to "avoid highly redundant material." George Weller, good journalist that he was, sought to capitalize on his exclusive by sending dispatches to newspapers in Australia and the U.K. in addition to the Chicago Daily News. Many of these "stories" were fodder for local writers, chock-full of one-liners from thirty or more interviewees identified by name and hometown. One or two are more than sufficient to get the flavor of 1940s-era reportage. Thirty-plus pages of them are tedious.The most fascinating parts of the book are the full-fledged stories: Weller's recollection (written in the 1960s) of how he managed to get into the roped-off city and obtain local cooperation, the diary of an American civilian who managed to evade capture on Wake Island for nearly three months, the harrowing details of the prisoners of war on the "Death cruise" (the Japanese transfer of 1600+ POWs from the Phillippines to Japan -- a journey which barely 300 survived; Iris Chang's work on Nanking would have succeeded far better had she illustrated the visceral impact of Japanese brutality the way Weller does), the investigation of how the bomb worked as opposed to how its impact had been imagined and the biological effect we call radiation sickness. Here's the irony, though: nearly all of this (save the bomb info) was published at the time. While First Into Nagasaki collects these stories in one convenient place and restores some of the gorier details that censors and editors had removed, it doesn't really bring the heart of these stories to light for the first time. Further, since the book contains only Weller's accounts, readers aren't treated to any follow-up that would tell us, say, what happened to the Wake Island survivors after capture.Richard Rhodes has already published definitive works on the history of Oppenheimer's legacy with The Making of the Atomic Bomb and Dark Sun: The Making of the Hydrogen Bomb. At this point, the destruction of red cells, white cells, and platelets caused by radiation exposure is also fairly well understood (though it was not at Weller's time). Less publicized has been the actual impact of the bombs that fell on Hiroshima and Nagasaki. For example, raised on The Day After and Threads as I was, I imagined buildings dissolved in a hurricane of fire and people vaporized in the street. It was therefore surprising for me to read Weller's account of exposed American POWs surviving the bomb blast simply by lying lower than the protective walls of an open-air ditch, or of fire emerging not from any fission reaction, but from the simple result of collapsing wooden structures onto lunchtime coals. From Weller's perception, "Stand beside a wall; have any masonry between you and the bomb [in 1945]; and you are as safe as underground" (p. 282).Imagine my disappointment to learn that Weller's words were not a unique source of revelation today or even 60 years ago. Weller did succeed in publishing his findings in 1946, but beyond that had himself been scooped by an Australian reporter named Wilfred Burchett who got into Hiroshima before Weller found Nagasaki and managed to get a factual story about radiation sickness entitled, "The Atomic Plague" published by The London Daily Express on September 5, 1945. Not only that, but Anthony Weller considers his father would probably have managed to get more of his dispatches published sooner had he been willing to hand off his carbons to the Air Force press junket that visited Nagasaki briefly a mere three days after Weller's illicit arrival. "For me [Anthony Weller] it is a small triumph that these words, the deaths and lives that were written about, and the deep determination behind them to get at the truth, were not lost forever" (p. 312). Well, it's safe to say that I might not have been attracted to this book had it not been for my erroneous belief in the truth of that statement. So if it turns out that Anthony Weller has in fact added only a small piece to scholarship by preserving his father's storytelling as originally reported before any editing took place, there's consolation in the fact that at least half of it is worth reading.

George Weller was an American reporter who snuck into Nagasaki a month after the bomb was dropped. He wrote what he saw in the town, the hospital and the surround POW camps. His reports never saw the light of day. General MacArthur and his censors thought it would be better if the American public didn't know what they were up too. More than 60 years later, his son, found his original carbon copies in a trunk and finally published theme.Why I picked it up: I read Unbroken: A World War II Story of Survival, Resilience, and Redemption over the summer and I realized that I needed to learn more about Japan and WWII in the Pacific.Why I finished it: The Japanese were horrible to the POWs. I had to take this book in small doses because it is overwhelming. And it is something that we don't talk about anymore. I am beginning to understand why the Koreans HATE the Japanese. Weller describes torture, starvation and humilitation that was handed out to the Americans, the Dutch and the British and then follows it up with a sentence like "it was worse for the Koreans." Discussion points: Military censorship, atomic bombs, POW treatment, historical memory and freedom of the press. This would be an awesome Book Club selection... for those that are not faint of heart.

What do You think about First Into Nagasaki: The Censored Eyewitness Dispatches On Post-Atomic Japan And Its Prisoners Of War (2015)?

An amazing book to read (or listen to - I would recommend listening). There are several books mixed into one here since the genesis is censored and then lost reports of George Weller from Japan after World War II. The immediacy of the war that comes from news reports is very different from even the best historical reports of the war. Emotions are raw and events just happened so there is no healing time or historical context. It was an important book for me to read since my only experience with the war for US soldiers is from afar; I have more contemporary accounts of the bomb from a Japanese point of view but none from the US soldier view.
—Diane

A classic bit of reporting from World War II, the original dispatches of which were destroyed by General MacArthur's censors in Tokyo, George Weller snuck into Nagasaki in September, 1945 to record the bomb damage and aftermath and get eyewitness testimony to the second atomic bomb blast. Although later casualty reports were exaggerated, the real thing was horrible enough. The carbon copies of these dispatches were only discovered by Weller's son among his personal papers in 2005, and were never published during Weller's lifetime. He did write a short, truncated version of the events in 1966, and they are also included in this book.
—David Bales

George Weller was the first Western journalist to go to Nagasaki, only a month after the atomic bomb was dropped and the war in the Pacific ended. This book is a collection of pieces he did based on that visit, and his time spent with American and British soldiers previously held in Japanese prison camps. Weller was a correspondent for an American paper, but though the war was over, news articles from Japan were still censored; none of Weller's copy, sent faithfully back to Tokyo, was ever released in to the press.My mental rating of this book went up and down while I was reading it, and as I went on, I had to attribute that to both my current place in history, and the structure of the book, rather than the contents. This book is divided into four sections: Weller's observations of Nagasaki after the bomb, his conversations with POWs held in the Nagasaki area, the transcript of a diary kept by one of two American soldiers who hid on Wake Island in the first days of WWII and evaded Japanese capture for a time, and his piece on the Death Cruise, one of the last and worst transports of POWs transferred into Japan for captivity.The first section of the book is Weller's description of post-bomb Nagasaki, and of the Disease X which killed people a week or a month after the bomb itself. At the time, this was a shocking story, and the primary source of the censorship of Weller - the US military was denying that there was any 'atomic' effect of the bomb, and the description of Disease X flew in the face of those assertions. For me, this was the section of the book which suffered both from my knowledge, and my ignorance. We now know the dangers of radiation sickness, and the impact of the bombing that Weller could not have seen at the time - he of course underplays it - and the fact that this information is scandalous for the time, seems naive now. On the other hand, Weller's discounting of the significance of the bomb, placing it in the context of the firebombing of Tokyo and other Japanese cities, which produced incredible death and devastation, makes him sound like an apologist. It wasn't that bad, not many people died - this tone was jarring to me because I did not really know the context, and it's difficult to read it without our 60 years of hindsight - however, it's firsthand testimony which is both well written, and of historical value.The fourth section is the Death Cruise, and this is where the book hits its stride. The incredible brutality that the Japanese showed to their prisoners has largely been overshadowed in the West by the Nazi deathcamps, and unlike in Germany, where self-acknowledgement of the Nazi crimes has been enmeshed in the culture, Japan has only reluctantly and recently admitted responsibility for the atrocities committed by them during WWII. The Death Cruise was one of many 'hellship' transports, where soldiers captured in the early days of the war were brought from across the Pacific, back to Japan for internment. One thousand, six hundred men got on the transport ship; seven weeks later, three hundred survived to be imprisoned. Weller interviewed many of the survivors, and patched their stories together into a terrifying narrative of brutality, starvation, and deprivation. Among them are bright sparks - soldiers who worked to keep other calm, to keep up morale, to collect scraps and water for the weakest. However, most of this story is dark, and Weller doesn't shy from details. Men going mad in crammed ship holds; friends taking clothes from the dying; finally, the complete and utter lack of compassion shown by the survivors to the suffering. And through it all, beatings, torture, and humiliation from the Japanese captors, who seemed to see the weakness of their charges as the moral justification for treating them as things without worth. Weller captures this aspect of the War in the Pacific without flinching, and it's a revelation for the reader unfamiliar with this portion of history.The middle two sections of the book consist of snippets of POW observations of the Nagasaki bombing, the brutal treatment by the Japanese of the POW workers in the mines of Nagasaki, and the Wake Island survivors. In part, Weller covers this as a reporter wanting to send bulk material home which can be parted out and reprinted in papers around the country - snippets from a 'local boy' for regional use. As such they are often repetitive stories of Japanese abuse - interesting, but not really meant to be read as a piece. The Wake Island section is interesting historically, but mainly for the increasing desperation of these two, hiding from the Japanese in the first few weeks of the war, as they wait for Uncle Sam to come rescue them. Not knowing of the crushing attack on the Pacific Fleet at Pearl Harbor, these two waited in vain for a rescue which did not come.Overall, this book is a fascinating picture of the American experience on the Pacific. It's less about Nagasaki, than how the Americans and Japanese viewed, treated and justified that treatment of each other, both in the opening days of the war, and the closing.
—Laura Gurrin

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