What do You think about In The Flesh (2001)?
The manifestation of evil, "in the flesh" is the theme that unites all four novellas in this early Barker work.The highlight here is, undoubtedly, "The Forbidden". This is the basis for what is perhaps the MOST UNDERRATED HORROR FILM OF ALL TIME: Bernard Rose's "Candyman." The story itself, 60 pages that really do chill the blood, I've penciled in on a list of the best short stories ever. It is melancholia wrapped in detective noir, supernatural urban legend; a human investment into something larger than the self. Helen, the doomed protagonist, looks for an interesting thesis in walls exploded with urban symbols: graffiti. The residents of a delapadated city complex are all in on a secret conspiracy. The killer mesmorizes, comes from the realms of hell, literally. The personification is so complete in this study on urban decay. The myth baring a hook is more effective than Pinhead! The last paragraph plagues the reader with worry: it seems so possible that evil exists, is indeed a human disease made up of interior and exterior traumas. I almost cried for Helen.I read "The Forbidden" and felt immediately that Horror is alive and well (true-this comes to us from the 80s... but one has the instinct to hope). Stephen King's constant commendments for the British author are not without substantiation. Barker can write circles around King: he practices brevity, brings out strong sexual themes (which of course soon delve into absolute terror), has an outright, singular poetic penmanship. The other stories are pretty good, too. The story about the Candyman, a must read for all aspiring writers, was an A+. The rest involve a doorway to hell in a prison with no relatable characters (B), a sick gender-bending misadventure in a satanic spa (B-) and bizzaro geriatric oracles in Greece (C+).
—Fabian
I've wanted to nab this baby forever, since watching the movie Candyman, adapted to the screen by Bernard Rose with Clive's backing. I have owned several of his books of blood anthologies for awhile, yet this one has remained an illusive completion of the cycle. Finally I now own all of them, and read this one within the week of receiving it.The book, a brief 255 pages, envelops four short stories. The first, 'In The Flesh', is a strange tale following the mind of a convict, Cleve, who is forced by an overeager warden to be the caretaker of his new cellmate, Billy. Strange and reclusive, Billy isn't an easy man to keep safe from the other inmates, but it's even more tiresome trying to get his new companion to sit still on bizarre questions he's filled with. Soon Cleve is forced to witness some pretty strange stuff, and from there the story skyrockets. Baffling and strange, as Barker's works typically are, the short tale is blessed with bizarre imagery, unusual characters and an intriguing outcome. The endings a strange little thing, one I never saw coming, but a dark wrap-up that strangely fits.Following the unsettling piece is the short story of the legendary Candyman, in written form titled The Forbidden. There are outstanding differences in the short version versus the celluloid portrayal; Helen herself is much different, although not in a bad way, and her goal is instead on the history of graffiti rather than urban legend and myth. Candyman is also quite different, although I noticed much of his dialogue was copied through to the film. That's the only similarity really. Bernadette, Helen's best pal in the film, is only a mere aquaintance shown once here. No one sits to tell the young woman about Candyman's dazzling past, but instead insist she's a naive child being lied to. The situation with Anne-Marie and her son differ so strongly it was hard to compare the story and movie at all. Standing by itself the short story is an intriguing one, even if I felt the ending fell a bit short.It was hard for me not feel slightly cheated with The Madonna, as no character was likable, the ending seemed strangely depressing, and the story itself devoid of much enjoyment. The idea just seemed too silly and over-the-top, and no explanations for characters given (some of their actions just didn't make sense). It was a brief read, thankfully, but not something that kept my attention like the previous two.Finally, the shortest story, Babel's Children, may indeed by the strangest. The idea is very outlandish and it's clear Barker's bizarre humor gets to play with this one. The protagonist was a fun woman to follow, her actions making sense, her personality strong and fiesty but using common sense as well. There was a lovely sense of confusion that followed me toward the end, where I then wasn't sure whether to be disgusted or amused. On one hand the story is so far-fetched and silly it's almost a turn-off and cheesy, but on the other hand it makes a morbid sense and purposely pokes fun at a failing system. While I can't make my mind up on which side of the fence to stand firmly on, I'm settling for using both reactions and rating this one an intriguing story with a daring, mediocre death.If you happy to find this one, pick it up for sure. Short stories aren't my cup of tea, but Barker's writing style in his other Books of Blood anthologies and this one are sure to please. His writing style is intelligent, filled with an advanced, dry style that's poetically beautiful. Some of his phrasing is simply breathtaking, forcing me to repeat the sentences in my mind. All his stories are filled with inventive, unusual worlds not seen elsewhere. The level of horror in his tales is different as well, dark without even seeming to try, cleverly mixed with morbid fantasy. This is one book that thankfully lived up to my expectations in many ways, diving a bit short in others, but I've come to expect the latter fault in anthologies.
—Erin (Paperback stash) *is juggle-reading*
This book is a collection of 4 novelettes from "The New Master of Horror." (not so new anymore!)The title piece, "In the Flesh" deals with a petty criminal trapped in a jail cell with a first-time offender who's messing with more than he bargained for in the spirit of his executed murderer grandfather...."The Forbidden" is the story the movie Candyman was based on. I'm sure you've seen it. The story is shorter, snappier, and more powerful. (And set in England! Huh!)"The Madonna" reminded me of a modern Lovecraft story.... a business deal with a mobster turns into something far more when chthonic horrors lurk in a closed public pool complex..."Babel's Children" - not so much a horror story as a paranoid conspiracy theory. Who do you think is *really* controlling the world governments???Good fun, all of them..
—Althea Ann
