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Read Rouse Up, O Young Men Of The New Age! (2003)

Rouse Up, O Young Men of the New Age! (2003)

Online Book

Rating
3.69 of 5 Votes: 1
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ISBN
1843540789 (ISBN13: 9781843540786)
Language
English
Publisher
atlantic books

Rouse Up, O Young Men Of The New Age! (2003) - Plot & Excerpts

Kenzaburo Oe, winner of the 1994 Nobel Prize for Literature, wrote this novel in 1986, but it was only translated and published in 2002. To appreciate "Rouse Up" fully, one must know that Oe has a seriously brain-damaged son, Hikari, who is also a musical prodigy. In fact, some describe "Rouse Up" as "semi-autobiographical," although the translator John Nathan notes in his brief but helpful "postface," that simply equating the narrator to Oe and Eeyore, the brain-damaged child, to Oe's son Hikari is an error. Still, Oe seems to me to be using his novel, however the details might diverge from his own situation, to think through his relationship to Hikari and to find some redemption for himself and his family in an extremely difficult and painful situation. The medium for this redemption is the poetry of William Blake, for which the narrator has a lifelong obsession. Blake constructed a mythology of great imagination and believed, furthermore, that imagination is "Human Existence itself" (from "Milton"). Oe's narrator deploys his own imagination to think about his son through Blake's words and metaphors and rediscovers Eeyore not as a family burden but as a deeply affecting and even heroic figure--one of the "Young Men of the New Age." This novel will not appeal to everyone's taste. It is neither a work of grandiloquence nor of deep philosophy, and it meanders, sometimes in a rather flat style, back and forth in time linking events together in an almost stream-of-consciousness fashion. However, I found Oe's narrator's style perfectly positioned between Blake's lofty poetic rhetoric and Eeyore's flat, simple wisdom. In fact, I had difficulty putting this novel aside, but then I too, in my less significant fashion, have sometimes felt the power of poetry to help us structure and think about our own tangled experience.

Interesting--his method of interaction with Blake was very alien (not sure if it's a cultural thing, a poet vs. fiction writer thing, or just a very different readerly interaction), but I enjoyed the novelty of the narrative structure and the main character's very personal/intimate incorporation of Blake's poetry. Didn't like how claustrophobic the main character, K, gets...obviously, in first-person narratives it's common for the narrative to focus in, sometimes in the extreme, on the values/thoughts/perspective of the narrator. Even though this is a very personal narrative, mainly focusing on how K feels about his handicapped son, himself, his own mortality, and his private readings of Blake...sometimes I thought the narrator revealed himself to be a little over-enamored of his own perspective and a little under-attentive to outside influences, other family members, etc. It's sometimes as if nobody else in the book is even a fully formed human being.

What do You think about Rouse Up, O Young Men Of The New Age! (2003)?

This is what the French call a tour de force. I believe that's French for a tour of 'force', a Jedi ability that taps into pure potential and imagination (who knew the French were such nerds).The "novel", if you can call it that, is a breathtaking study of the lives of two people who are completely intertwined, the author and his son. The honesty drips off of every page and makes this a stunning chronicle of a man's life with a mentally disabled child. The way he relates William Blake's poems and prophecies to his own life and struggles shows how universal these problems are, and too how universal is the healing that follows. By turns funny, heartbreaking, joyous, and insightful, the book manages to be more than the sum of its parts and is an interesting analysis of how Oe has lived his life since his son's birth. Highly recommended for fans of philosophical fiction.
—Corey

I picked this book up on a whim after reading about it on one of my favorite book blogs and being drawn to its poetic title (from a work by William Blake). This was my introduction to Nobel Prize winner, Kenzaburo Oe. I’m not going to be able to do justice to this book, but still wanted to capture my thoughts on it. The book is about a father, a writer, who tries to write up a dictionary of all that his mentally-handicapped son needs to know about life. All throughout, he meditates on the ways in which his interpretations of William Blake’s works illuminate his understandings of the father-son relationship, death, his own childhood, human communication and connection. It feels like an intensely personal memoir (and indeed there are elements, we’re told by Oe’s translator, that are taken from Oe’s life), diary, and literary analysis all at the same time. I wasn’t so much interested in the parts on Blake’s poetry and indeed, most of it went over my head. Yet, what kept me turning the pages was the father’s recounting the experience of parenting a handicapped child, the difficulties, the fears, but also the joys—never in a trite, overly maudlin way. Apparently this theme is one that runs through many of Oe’s other works, and thanks to this book, I’m eager to explore this father-son relationship further. It’s a quiet book, often esoteric and boring in parts, but deeply moving.
—Sam

The day the governor toured among his constituents and the police chief had lashed my father with his tongue and driven him to make a spectacle of his labor, what if, in the instant, the emperor's proclamation of the war's end had blared from a radio across the entire valley? Then my intrepid father in his cotton smock would have raised his hatchet high in his right hand and ordered the police chief and the governor to take their places at the crank handles and to begin the crunching and clanking. And three or so places back in the line, His Majesty the Emperor would have been removing his white gloves as he waited his turn to go to work...It can be considered Oe's memoir regarding the relationship between him and his retarded son. The book covers a vast intellectual territory that is impractical to summarize. Yet, he never loses control or becomes tangled in his own ideas. If you're down for the trip, it's going to be a hell of a ride.
—Ismael Galvan

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