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Read The Sicilian (2001)

The Sicilian (2001)

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Rating
3.9 of 5 Votes: 4
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ISBN
0345441702 (ISBN13: 9780345441706)
Language
English
Publisher
ballantine books

The Sicilian (2001) - Plot & Excerpts

Mario Puzo claims his fame and fortune with The Godfather. He exerts his mastery of writing and storytelling in The Sicilian.This book offers nearly every addictive literary substance for which the reader's neuro-transmitters scream. Puzo offers action, suspense, national heritage, generational character, moral integrity, filial piety, brotherhood, loyalty, ethical conflict, the power of conviction, and so much more. Turi Giuliano represents the kind of archetypal hero for which every common citizen of every common country dares to hope and dream. Ever since watching The Godfather films years ago, I have tried to articulate exactly why I find them so unbelievable. After reading The Sicilian, the same idea, or theme, creeps further out of the shadows and permits the light to artfully sketch its image. I imagine Puzo wrestling with this idea and experimenting with it. He carefully crafts the histories of each major character, including Sicily, which inspires the reader to consider those historical circumstances as the masters of personal fates and destinies. These histories and current circumstances create a sort of volatile microcosm which only a certain character can ignite and reinvent. A seemingly autonomous Nurture pairs with a character's Nature - devastating a once confused idea of control. I wanted this character to be Michael Corleone. So with the appearances of the Corleone Family in this story, I come closer to understanding Puzo's experimental hypothesis. In The Godfather, Michael Corleone succumbs to the life of his father, Don Corleone. He learns to control the most powerful Mafia family America has ever seen. But more importantly, he learns to survive. The Sicilian asks whether these aspirations shrivel to the heroic will to inject life and happiness into a society rather than to conquer it. Michael Corleone, as we view him in this book, did not live the life he would have chosen. He chose loyalty to his family, which history and circumstances may have forced him to do considering the nature of his brothers and the world Don Corleone had built around him, which brings about the sad tragedy of his life. He survived tragically - dying a lifelong death - whereas Turi Giuliano lived even beyond his last breath; the final reward of the mythical hero, the archetypal conqueror of death who lives the life that every common citizen of every common country would choose for their children. In dying he lives while in life the Mafia Don exists as an empty vessel. Michael Corleone would have lived if he hadn't needed to survive. He is the hero who ignored his calling. And perhaps the burden falls to Sicily, the histories and circumstances, for creating a world which demands that we choose to survive tragically by its methods or live heroically by our own.

While everybody seems to think of "The Sicilian" as a 5 stars title, I beg to differ. The book isn't bad in any way, however it doesn't live up to the legacy of "The Godfather". Despite the opening scene featuring Michael Corleone on it, the book had little or anything to do with the The Godfather for that matter.The story of a Sicilian Robin Hood like hero, who took from the rich and privileged to provide for the poor peasants. Which in turn made him clash with the Mafia (fiends of the friends) headed by Don Croce. The protagonist named Turi Guiliano is portrayed by Puzo as good-hearted, social reformer and avid reader with impressive physique. Through his seven years of insurgency, Turi gains popularity among the people of Sicily. After multiple attempts by the mafia to enlist Turi in their ranks, he refuses and war is lashed upon him. Anyway, towards the end of the story, the protagonist demise begins with a number of treacheries and plots against him. He eventually decides to flee to America, but he's killed before he do so.In my opinion, Puzo did a better job with the godfather, simply because he was writing about something familiar. Don Corleone and his family were Italian-Americans who lived in America, and so did Mario Puzo. When it comes to the Sicilian, the book is entirely written about Sicily and Sicilian people. No doubt the author did extensive research and had very credible sources, still it was something he didn't live through, which I believe lost the story some of its authenticity.

What do You think about The Sicilian (2001)?

4.5 stars. An almost perfect novel for me. Why just 4.5? Well, i hate to spoil you so you got to read the book yourself. The book mentioned my most fave character of all time, Michael Corleone, which made me start to flip the first page. But the story wasn't about him. It wasn't even related to The Godfather novel itself although the Corleone family and Peter Clemenza (who were characters from The Godfather) were mentioned several times. It's about Turi Guiliano who wants to help the poor civilians of Sicily and save Sicily from the corrupt government and selfish Mafia heads where rich becomes richer and poor becomes poorer. With such aspiration, Turi became a well known bandit at his hometown where poor families worship him from his big heart by giving the poor justice while rich men being robbed, kidnapped and/or killed by the young protagonist in which he only does because of his belief of his love for Sicily and his men.A simple yet mind twisting chapters will make you turn each page with such surprise. I myself would recommend this to those who seek Mafia-related genre. It's a light read which you can bring along the beach and finish right away. Enjoy reading! "So die those you betray Guiliano" -Turi Guiliano
—Katherine Co

To my surprise I feel immense contempt for reading a supposedly praised book of Puzo because I actually find it extremely disappointing.The book being nothing exceptional but a painfully exasperating story about the bold Italian Outlaws and the typical Sicilian Mafia/Mob, makes me insolently demean this story because the plot turned out to be almost a mash-up and rip-off of Puzo's other notable books.Moreover, after reading the book, scorned I was as a blacksmith without his tools, I was numb too since the novel had very little material. I recall the days when I almost gave up reading this book because I was tired of forcing myself to turn the pages.Firstly, the feeble plot, as mentioned before turns out to be a brew of Puzo's other books, lacks originality and enthrallment, and is rather repetitive. It also focuses too much on the character development, so much that you are left with a sick feeling of boredom and weariness. The innumerable accounts of the characters' past are definitely a foundation of their role but with these characters Puzo actually overdid it, so much that you feel such elaborate illustrations were unnecessary. The characters were lush and deep but not captivating enough to make me dive into their lives.The book might have flourished if it were made into two parts, because since the real story is so limited, Puzo could have glorified it by dividing it into two parts by focusing the drama on the first and the tragedy/thrills on the latter, but that's just how I feel. Sadly, thriving on unwanted details and a vain story, this book also features folly and unintelligent writing. For example, the execution of the main character absolutely made no sense at all, the weak writing left readers in utter dismay and confusion such as, "Why kill him NOW?", "without a motive why would THAT person betray?", etc.Moving on, the theme of the book is somewhat ambiguous yet the countless incidents of the story surely amplified aspects of Loyalty and Pride. And the message of the book might have been somewhat enlightening but I remain unsatisfied with this desultory tale of how two young innocent boys grew up to be bandits and embraced their fateful retribution.
—Toufiq

Definitely not as good as "the Godfather." One thing that annoyed me in particular was that he seemed to recycle some scenes, for instance the marriage to Justina was way too similar to Michael Corleone's marriage to Apollonia in "the Godfather." I also found this book romanticized the violence of Sicilian society to a distasteful level. Also, one thing which was good about "the Godfather" was that the point of view changed at different points in the story so you saw different people whose lives were affected by the Godfather and that kept the story interesting and made it move along swiftly. However, this was because the characters it focused on were very different from each other. This one did change points of view a few times but since the characters were all very similar this wasn't very interesting, it kind of just drew the story out to be longer. I didn't find this book very exciting or well-written. I probably would not recommend it, even to a Mafia buff. A few of the tricks Guiliano plays are clever but aside from that it was boring. Also, why did he bother changing Giuliano's name to Guiliano when literally every other detail is the same as Giuliano's actual life? The name Guiliano is really awkward to pronounce and I feel like he could've just put a disclaimer that it was historical fiction and he could've left the name as Giuliano.
—Camille Mccarthy

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