No one was more surprised than I was that I’d been awarded the Small State Prize, for I hadn’t submitted a single one of my works, I would never had done that, I had no idea that my brother, as he later admitted to me, had handed in Frost at the great entrance to the Ministry of Art and Culture on the Minoritenplatz on the last day submissions were being accepted. I was the opposite of delighted with the news that I was getting the prize, a mass of young people had received this prize before me and, in my eyes, had fully devalued it. But I didn’t want to be a spoiler and I also took the prize because I would receive it thirty years to the day after my grandfather received it in 1937. This point was what made me tell the Ministry I would accept the prize with the greatest pleasure. In reality I had a queasy stomach at the idea that as an almost forty-year-old I would have to accept a prize which should be offered to twenty-year-olds, and in particular I had a very strained relationship with my country, as I do today to an even greater degree, and my most strained relationship of all was with our Ministry of Culture and Art, which I despised from close and firsthand knowledge, the first place in my contempt being held by the then-incumbent Minister.