The Project Mayfly nurse waited as I raised myself onto a wicker table with a surface made of tightly-strung hide, a grid that put me in mind of a tennis racket. The squares of string pressed against the thin fabric of my hospital gown. As I climbed on, I couldn’t help noticing the drain in the floor. It was a hand’s width away from the letters scratched into the concrete: “16—Hungry.” There were marks on the wall, too, across from the metal staircase. A timeline, in yellow chalk, running from floor to ceiling, hashed at one-inch intervals. The year 1900 was scrawled at the bottom, the numbers mashed short by the floor. A foot and change upward from that, 1914 and 1916. The nines had a familiar, slightly twisted look to them. They were at once readable and yet not quite perfectly formed. So were the nines in the other chalk digits that followed: 1937 and the current year, 1946. The nurse dodged the hand I’d put out, just for a last friendly pat, you know.
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