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Read The Constant Gardener (2005)

The Constant Gardener (2005)

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3.76 of 5 Votes: 1
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The Constant Gardener (2005) - Plot & Excerpts

My first Le Carre, so I was expecting to be thrilled, something cat-and-mouse type of story. After all, someone killed Justin Quayle's wife while she's on a perfectly justifiable, if not very dangerous mission. And it was not a quick death like an assassination----she was stripped naked, possibly raped, had bruises all over her body, and her throat was slashed. Meaning: It's the kind of injustice that forces Justin to go on a global hunt for the answers. But the ending is just too sad for me. Too pessimistic. It's Thomas Hardy without a touch of beauty of realism. What was the point of having Justin suffer the same bruises along the way if someone else will have to fight for him too in the end? But...I must remember myself. I haven't written 18 books like John Le Carre on the year he published The Constant Gardener. There are some good things about the novel. One of them is Justin himself, who talks to the ghost of his wife and summons her from memory while on his deceitful journey. It reveals the relationship they had, her secrecy, his adoration, their ordinary, but now tender moments. Other characters are interesting in that they are not there to serve as background. They actually do something to move the story. As for Africa itself as the location, Le Carre satisfies us with lots of usual imagery from the loyal servants, the bereaved and disadvantaged youth, to the suffering African women. But the book is not about Africa. It's about Justin, the wronged man and husband, and a reluctant spy. Is it a story of bravery and passion as he becomes determined to walk in the way that his wife once walked? Yes. Is it a story on how to fight corrupt multinational corporations? No. Definitely not. There's this part where Justin meets Tessa's contact in Hippo (Hippocrates) and he laughs when he sees her carrying her toddler on her bike---he wasn't expecting to be an Uncle for the afternoon. I like Justin laughing even if he's grieving. He's a likable character, which makes me sad more. Le Carre has been likened to Charles Dickens, which makes him a writer to read if only to draw comparisons and distinctions. Meaning: He owns the space for 3 to 5 more books on my shelf. Book RaveI know the film. Haven't watched it. But I saw Tinker Tailor Soldier Spy and I liked the psychological drama, which from experience, is better appreciated when digested in its written form. But what finally persuaded me to grab a copy of this book, ten years after it was published, is the word it used in its back cover: ennobled. I haven't read that word before, not in the few John Grisham and Jeffery Deaver mystery thrillers I've consumed. It excites the lexophile in me. A man ennobled by his wife's tragic murder...I've read that a good writer has this skill of choosing one word instead of another. John Le Carre chose the word ennobled. He chose it well.

John LeCarré here sets in motion a dozen or more morally and psychologically complex characters in many directions at once, leading into three major stories and at least a half a dozen lesser ones. The framing story is about Big Pharma, the enormously wealthy multinational pharmaceutical companies which can cure you or kill you to make a profit, and the people who try to be sure they do mostly good things and curb its corrupt tendencies. The second is an adventure story of a lone man, the "constant gardener"of the title, using his wits against an enormous conspiracy with deadly power — much like LeCarré's famous intelligence operative George Smiley, but here the enemy is not Iron Curtain spy rings but Big Pharma, which has killed his wife. Finally, and here the subtlety and complexity of LeCarré's imagination is best displayed, there is the story of divided loyalties, virtue and weakness and ultimately self-betrayal, exhibited to some degree by several characters but especially by the gifted, deeply religious and morally confused Markus Lorbeer.LeCarré's fictional DKV, with enormous financial resources and political influence, hopes to make millions from an anti-TB drug created by a smaller partner based in Kenya, and is willing to bribe or otherwise pressure doctors, scientific journals, hospitals and regulators to get it approved and paid for with public money; meanwhile the operation in Kenya is testing the drug on Kenya's poor, not necessarily a bad thing if there are adequate safeguards. But there are not: with the complicity of government officials and common thugs, the companies suppress information about the drug's sometimes lethal side-effects and even go to the extreme of murdering those who are about to expose their practice.Besides the psychologically complex characterizations, LeCarré offers vivid descriptions of both social and physical settings in Kenya, London, Elba and even Winnipeg. The book is seldom boring. But there are too many implied stories left unresolved, the "constant gardener" who occupies most of the story, Justin Quayle, seems far less interesting than many of the minor characters whom we glimpse too briefly (including Markus Lorbeer) or never see at all because they are dead before the story begins (Quayle's wife Tessa and the good doctor Arnold Bluhm), and the central story — the denunciation of bad practices of some pharmaceutical companies — is hardly news.

What do You think about The Constant Gardener (2005)?

I have been a little reluctant to read le Carré's post-Cold War, post-Smiley novels. Part of my reluctance was borne of some false assumption that le Carré's masterpieces were mostly weighted towards the front end of his brilliant career. 'The Constant Gardener' blew all my assumptions up. It is amazing how le Carré can write such a masterful novel and such a popular book. Many of the MFA literary novels published during the last thirty years will quickly slump and dissolve into the dust of mediocrity, but I am certain this novel (along with many of le Carré's earlier novels: the Perfect Spy, the Karla Trilogy, the Spy Who Came in From the Cold, the Russia House) WILL be read in three hundred+ years.Le Carré is amazing. He doesn't fall into the easy path. Yes, Big Pharma is bad, but not in some monolithic/caricatured way. It doesn't just do evil, but does many things that are good. This is le Carré's style. There is infinite shading that he does with EVERYTHING. Each character is shaded, and mirrors each other character. Some characters are flipped, some are mirrored, some are distortions, but each character is complicated, nuanced and difficult to view from one position. Le Carré writes with an artistry that makes it impossible to not love the good, despite their faults, and still appreciate the human-like frailties of the bad.A good friend of mine calls this novel the greatest love story of the last fifty years. I find that claim difficult to dispute. It isn't a traditional love story, and not exactly a happy love story, but it is an amazing story of loyalty, love and understanding that leaves the reader both tired and sated.If one day I discovered I could write a novel that was just 1/2 as good as 'The Constant Gardener', I would think I had been blessed with a masterpiece.
—Darwin8u

Human tragedy as an occurrence is very much similar to clay; it can either drive humans to the vilest acts of insanity or the most humane of actions. Natural disasters, accidents and countless other instances bear witness to such acts each day & everyday across the world. Tragedy in individual life of a fictional character on the other hand gives rise to literary gems (a la Shakespeare & the gang) or movies (read tear jerker/pay back movies). The backdrop of John Le Carre’s The Constant Gardener has a tragic backdrop of a wife who is a devoted human rights activist getting murdered in a barren wasteland in Kenya in a most gruesome way. What follows is a husband’s quest on the road to the truth. Heard that before you say? Well it’s a different quest here and a different landscape.The plot line is as simple as what I wrote above but there are sub plots and characters that would seem a lot more flesh and blood than many run-of-the-mill thrillers we come across. The best trait of this book is how human it is. The villains are not cartoonish; they are human like you or me. No one is an absolute black or white, they are doing what they must in order to survive. There are a lot of betrayals here as well, individual as well as on the on broader perspectives: in the name of love, country and that stubborn mule named duty. For individual betterments they jump sides and tip scales in seconds, you have met people like them before at your offices and your living space. The dialog is sometimes labyrinthine and the protagonist is an unlikely one who is polite to a fault and sometimes too good to be true. Like some of us mere mortals, he realizes the worth of love once that flame gets extinguished.The tale drags at places but that does not make me want to reduce a star in the rating scale, it is a solid five star book for me. Human & Animal rights activists have sometimes struck me as unreal, the fiery passion they embody for their cause is ethereal to my mind. I close this review with what one of my friends told me of this book “It makes you think and believe that there is much more to life than the humdrum of the daily activities”.
—Arun Divakar

I must admit that I don't get teary-eyed often from the events in books and if I do then it's in a long series of books where you've invested a lot of time reading, like the last Terry Pratchett book, for instance. However, 'The Constant Gardener' is heart breaking and I found myself struggling to read the last few pages because I was properly welling up.It's stupid. I'm not usually this soppy. But JlC's writing pulls you in, it makes you feel real emotions for these characters because of the way he writes those characters, the way he describes their mannerisms, their changing moods and emotions in almost every line, the shifting emotions you're bound to feel when you're interrogating someone who had a direct hand in your wife's violent death.. the anger, the pain, the need to calm down because you need the information they hold, the pulling back of violence, the step towards reaching out and murdering these people but you stop yourself because you need to know what they know. All that builds throughout the book until you're routing for this character, you hate fiercely even if he, as a perfect Gentlemen, doesn't show that hatred, you will do it for them. It's exhausting.It's odd because this way of writing his characters, of telling the story, of building up the bits and pieces of information is the same in all the books I've read by JlC.. yet, none of them have affected me as much as TCG has - could be because of the subject matter or whether it's because it is set in a time closer to my own, a world of computers, mobile phones and big multinational companies something I can relate to more than the shadowy world of 60s espionage - I don't know. I've read quite a few of his books now, and intend to read the rest of them too, and although I was quite content to sit there and go 'the spy novels are my favourites!/viva la George Smiley', I have to say that TCG is my favourite. I *WANT* to read it again, I could quite happily turn back to page one and even though I know what's going to happen, even though I know it won't change, I want to read it again.. for Tessa's sake and for Justin's. I'll definitely come back to it again!Now, I'm shooting off into another weird tangent, book-wise I mean, and reading about what happens when a chap decides to reply to email scam emails. Exciting times.
—Chris Boulton

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