Meg was scrabbling at the door trying to get out. I opened it for her and followed her to the front door. When I threw it wide and let in the night, I heard what she had heard. I could not tell whether it was played on a pipe or on the single string of hunting man. It was a reminder of all the joy we have lost, and thus of infinite melancholy, yet it had the sweetness of bird song—if a bird could have the voice of an animal. The symphony, to which one listens dreaming and reasoning simultaneously, must be the highest product of the human mind, yet a shepherd pipe in the stillness of night or the freshness of dawn is the music which comes nearest to communion with all creation. Meg looped down past the still sheep under the oaks. They did not notice us, their heads turned towards the woodland which sheltered the piper, or itself piped. She was moving fast and was out of sight in the darkness when she crossed the stream, but I knew that our destinations were the same; even the stems of flowers would have bent towards this song of earth, if it had not been night and petals closed.
